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 Message 1 of 39 in Discussion 
From: MSN NicknameRichardakatick  (Original Message)Sent: 9/7/2008 2:56 PM
Here is your thread for SCIFI shows.. EUREKA, THE STARGATES and anything else they may do like MINI SERIES and new shows...
tick
 

Stargate Atlantis: Whispers

(S05E07) This week the Atlantis team sets out to prove that just because you make a sci fi show set in another galaxy, it doesn't mean you can't have an old fashioned zombie story. If that wasn't enough, this was also the much talked about episode with the all female team. That team included Nicole de Boer, and the returning Leela Savasta. How successful it was depends on how you feel about zombie movies to start with. For me, it was rather hit and miss. Some nice show mythology, mixed up with a monster of the week, and some bits that just fell flat. We'll get into it all, after the jump.

Let's start with the good stuff. Look everybody, it's our old friend Dr. Beckett (Paul McGillion). I'm always happy to see McGillion back on Atlantis, but this week it wasn't just a cameo to keep the Beckett fans at bay. He's the perfect person to send to Michael's newly discovered abandoned lab. Of course, McKay would be pretty handy to send along too... but this is the good stuff portion, so let's let that one slide.

Michael's lab worked really well as the setup for the story. It gives us a nice reminder of just how brilliant, and crazy, he actually is, and it stands to reason that his project is going to leave a trail of failed experiments. I was also happy to see that all of the info McKay gleaned from the last lab hasn't been forgotten, as it provided a means to disable the security.

The measure of good and bad starts to get a little 'foggy' when we talk about the zombies. Call 'em hybrids if you want, but they were zombies for all intents and purposes. I'll say, the makeup was pretty solid. As far as creepy zombies go, they nailed it. But the actual zombie story, really goes either way. It was chock full of cliches. Stepping on a branch and alerting the zombie... the plodding walk in the distance... people running off into the fog alone... You can take that as a nod to the classic zombie style, or you can roll your eyes and ask "WTF?" Neither reaction is wrong. I actually liked it, but I suspect there will be more than a few Stargate fans that did not dig this thing at all. Luckily, if you count yourself in that camp, it looks like business will pick up next week.

Continuing on that iffy line was the all female team. It was kind of a clunky introduction. To start, how many times has another team found something that led to Sheppard, and the whole team, taking off to check it out? Given the history, anything Michael related should summon the cavalry. On top of that, how does Sheppard not know that there is an all girl team? Not just an all girl team, but an all gorgeous girl team.

Despite the rocky start, the team wasn't without its merits. Its been mentioned that some of these characters could be recurring, and if I can pick one, I'd like to see more of Major Teldy (Christina Cox as her third Stargate character). I like the idea of a female led team, and she has good chemistry with Sheppard. That's chemistry of the working together kind, not the romantic, by the way. There is also some potential for a run in between Sgt. Mehra (Janina Gavankar) and Ronon.

Which brings us to Dr. Porter (Nicole de Boer). I am, admittedly, a sucker for the casting of certain actors, and de Boer makes that list, so I was happy to see her here. That being said, not a great role given to her. The flirty back and forth between Beckett and Porter didn't work for me. Aside from the fact it's just not something that Stargate does well, it was so oddly timed. Discovering the remnants of a mutant army of killers created by the most dangerous creature you know of is not the jumping off point for, "Where did you go to school?" or "What's a girl like you doing in a galaxy like this?" It's just odd.

And then there is Captain Vega (Leela Savasta). What the hell? More than anything else, this just left me questioning the premiere again. The way she was shoehorned into that was awkward then, but this was the payoff? Was the cameo in the premiere for the sole purpose of removing her red shirt in "Whispers"? Because it didn't work. After two episodes, I still don't know anything about her, and can't really be bothered by her death. I really don't know what they were thinking with her.

Overall, I'd call this episode just ok. I liked the callbacks to earlier episodes, the zombie story, and the potential of Major Teldy. But there were a lot of things that just missed the mark. In the end, the episode was somewhat ill conceived. It's hard to imagine that the combination of a zombie episode and the all girl team would ever pan out as a remarkable episode. But hey, they can't all be gems, right? Let's give it another go next week.

Other thoughts:

Was it just me, and my TV, or was this the worst looking episode of the season? The fog just didn't seem to photograph well at all.

Sgt. Mehra had the best line of the night following her counting error. "Sorry...that's nine."

Just throwing it out there... TPTB have said that Stargate Universe will feature one recognizable actor, and fresh faces for the rest of the crew. And Dr. Beckett is taking off on a new project. I'm just sayin...



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 Message 25 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 10/14/2008 1:23 PM

Charlie Jade recap: “Flesh�? href="http://www.popcritics.com/2008/10/charlie-jade-recap-flesh/" rel=bookmark>Charlie Jade recap: “Flesh�?/FONT>

Watch and pray, that ye enter not into temptation: the spirit indeed is willing, but the flesh is weak. - Matthew 26:41

It’s all over, right? Charlie’s come back to Jasmine - and just as quickly realized he belongs in Beta - 01’s out of jail, and Essa’s in shackles. Everything is right with the verses. So why, I must ask, is that countdown clock still running? The Vexcor link countdown clock that 01 now controls.

He that troubleth his own house�?/H3>

After what seems an eternity, 01’s finally left and Bryon’s body has been discovered. Essa wants Sew Sew to bring in 01, even though the video of the boardroom is blank. He agrees to have 01 arrested on her sayso. Some time later Essa is in the boardroom in her mourning whites while the board sits in remotely. A message from Bryon Boxer is wheeled in and played, informing the board that 01 is receiving Bryon’s controlling interest in Vexcor.

Essa…does not take the news well. Neither does 01. After 01 gets notice from the ProbateBot that Bryon’s shares are his - and he utters the classic line, “please hold; your death is important to us�?- he goes into an alley and starts throwing and beating garbage cans. This is intercut with Essa’s breakdown in the boardroom as she tries to destroy the message cube. From beyond the grave, Bryon Boxer is still effecting those he “loves�?best.

An exoskin spots 01 and shoots him with a tranquilizer.

Please note the time on the countdown clock: 47h80m00s, 47h79m89s, and counting. 90-second minutes, and I assume 90-minute hours. Whether the hours are as long in Alpha as they are here, or there are more hours in a day, I could not guess.

Charlie isn’t happy in Alpha. The apartment - identical to when he left - feels different, the food tastes foul, and the water is even bad. He asks Jasmine about Sew Sew and it escalates into a fight. But it’s not a fight about Sew Sew, it’s a fight about Charlie not being there and he responds by leaving her. Again.

He meets Sew Sew and asks about Jasmine. Then he tells him about Beta and that the activation of the link will destroy it. Sew Sew suggest that the death of Bryon Boxer might have created enough chaos to delay the link and tells Charlie 01 is the prime suspect. Charlie needs to see 01.

01, crazy as ever, chats with Charlie.
“Vexlink open?�?BR>“Nope.�?BR>“Then how’d you get here?�?BR>“The link’s not open and I’d like to see it stay that way. How about you?�?BR>“Does he know?�?BR>“Yeah.�?BR>“I think I made myself pretty clear on how I feel about the link.�?/EM>

In order to stop the link, 01 needs to get out of jail and needs Essa out of his way. That’s when Sew Sew pulls out his trump card, recorded back in “The Shortening of the Way�?/A>, Leonard De Beers saying all the executives who’d gone through the link were being killed. Charlie realizes there must have been a labtech and the hunt begins.

While Charlie and Sew Sew hunt for the tech, Bram Larkin, Essa pays 01 a little visit. In case anyone had any residual doubt who the true face of evil is in Alpha, she burns the items 01 had retrieved from his father. Items belonging to his mother. Helplessly, he watches through the cell wall.

Carl and The Girls of Betaverse

In Beta, the newly integrated Reena/Killer comes to Carl’s apartment to crash. When Blues stops by later to tell Carl about radioactive corpses - not the new speed metal band, but actual radioactive corpses - she sees Reena and pulls her gun. Carl talks her down, convincing her that Reena isn’t a terrorist but a Vexcor scapegoat. N.B. Reena *did* blow up the link, killing several hundred people across three verses. I mean, I support her actions and all, but that pretty clearly fits the textbook definition of “terrorist�?

Blues agrees and brings Carl and Reena to the morgue to see the bodies, bodies of Reena’s captors whom she blew up. An assistant coroner became ill when the bodies were opened, exposing high levels of radiation from within. Their bodies also, quite oddly contain a high concentration of lead, so the three of them are safe being close. Reena doesn’t say anything about having killed them - probably for the best, as I imagine Blues�?trigger finger is still a bit itchy - but does ask if any unrecognized technology had been retrieved with them.

A Lover’s Sacrifice

Charlie tracks Larkin to The Graves, an off-the-grid slum and tech bazaar. Charlie spots his prey and takes off. For a tech, the hooded figure runs fast and gives Charlie quite a workout. When Charlie finally catches up to him, he’s dead.

Back in the morgue, they examine the body. First, the coroner - a wonderfully creepy fellow who reminded me of Renfield - discovers some fake skin, under which is Larkin’s implant. All well and good, but this isn’t Larkin. Someone traded chips with Larkin to give him a head start. A death sentence. Now Sew Sew and Charlie need to figure out the identity of the body on the slab in order to track Larkin, so when Charlie finds a second bit of fake skin, covering a tattoo, he follows the lead.

The corpse turns out to have been a bouncer at the Lunge Klub, which Charlie discovers by bullying a scrawny bouncer who tries “to be intellectually intimidating.�?Astute viewers will recognize our funny, scrawny bouncer as an Alphaverse doppelganger of Terry Schachter, the dumb kid who’d gotten hold of Vexcor ID sticks back in “Identity�?/A>. Sadly the actor, Brett Goldin, a popular young actor-writer-comedian in South Africa was senselessly and brutally murdered in 2006.

Once Charlie’s got a name, tracking Larkin’s easy enough. He goes to the dead bouncer’s apartment and disables the lock, hiding around the corner in wait. Larkin runs. Charlie chases him out of the building and into an alley. He tells Larkin his lover’s dead and tells him to come with him. It’s too late. An exoskin scans Larkin’s chip and sends a signal to a hovercraft. Larkin’s burned on the spot, probably fried with microwaves.

Once more to the morgue and Charlie sees Larkin has his lover’s chip. But he’s got a second chip. Leonard De Beers�? Not only does it record the dismantling of De Beers�?body but it has a hidden message from Larkin confessing to De Beers�?death and fingering Essa.

Tough Choices Ahead

That’s it. Sew Sew goes to the boardroom and informs the board. Then he arrests Essa. Her laugh is brilliant and soul-curdling and chilling.

01 appears before the board and vows to serve well. His shares vest and he’s appointed chair.

This is all followed in quick succession by�?/P>

  • Charlie back at his apartment, pouring himself a victory drink.
  • Julius getting a slate in Beta telling him the hunter’s contract has been redirected from Charlie to him.
  • Charlie and Jasmine discussing her future. For the first time in her life, someone lets her - no, forces her - to make a choice. She chooses Sew Sew.
  • Charlie chooses Beta. Charlie chooses Blues.

As Charlie shows up at Blues�?apartment, we intercut with Jasmine calling Sew Sew and telling him to come home. In these two scenes, only three words are uttered. And volumes are spoken in a four-way acting clinic.

Back in Alpha, 01 tries to get a grip on Vexcor as he sees it spinning out of control. The company had grown to big and too unwieldy and won’t survive without the infusion of raw materials from Gammaverse. No longer the profligate wild child, Chairman 01 must make some tough choices in the hours ahead.

Reena too.

She gets the cube working and sees its message meant for her. She is destined to save Gamma after all. By destroying Alpha.

There’s just one week left. Is everyone else as excited and sad as I am to see this great show come to an end?


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 Message 26 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 10/19/2008 5:23 PM

Stargate Atlantis: “Outsiders�?/FONT>

 by Another Sandy from Sci Fi Chicks

The following review contains spoilers.

Lt. Col. John Sheppard (Joe Flanigan) and his team go off-world to deliver supplies to Dr. Carson Beckett (Paul McGillion), who is treating a small group of survivors of the Hoffan plague who had been taken in by a village on another world from their own. When the Wraith arrive and demand the villagers turn over the plague survivors, who are now fatally poisonous for the Wraith to feed on, everyone reacts to the moral dilemma in their own way. Some villagers want to turn over the strangers who inadvertently brought trouble to their doorstep. One plague survivor tries to bargain for his own life by turning Dr. Beckett, who helped develop the original vaccine that the Hoffan plague was developed from, over to the Wraith. Sheppard and his team try to stall for time until they can find a way to save both the villagers and the plague survivors from the Wraith.

Unfortunately, the script seemed to go with what was expedient, rather than what was plausible. For instance, did it not occur to the villagers who wanted to turn the plague survivors over to the Wraith that as soon as they did, the Wraith would know who left in the village was safe to feed on? Also, collapsing a mine on the platoon of Wraith was a great way to take out an enemy who greatly outnumbered his own people, but when Sheppard set off the charges, he also buried the villagers who wanted to turn over the plague survivors. These villagers were just human beings whose only crime was to be short-sighted regarding their own survival and inconvenient to Sheppard’s plan. Not one word was spared for the moral quagmire represented there.

For the most part, the same writers who wrote the last five seasons of Stargate SG-1 have also now written five seasons of Stargate Atlantis, and the strain is starting to show. An infusion of fresh blood onto the writing staff could only help Stargate Universe when it comes out.


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 Message 27 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 10/26/2008 5:35 PM

(Season 5, Episode 13)

How does the old saying go? You can put lipstick on a pig�?but it’s still a clip show. Really, that’s what we had here. No matter how you look at it, ultimately a clip show is just not going to be as good as a full scale episode where fans of the show are concerned. Trips down memory lane are nice, but we’ve all seen it before, and something we haven’t seen will always be better.

That being said, as far as clip shows go, this was one of the better ones. The all too brief story serving as the framework for the clips brought up some interesting questions, and gave Woolsey a moment to shine.

The impetus for the trial, the effect of the Atlantis expedition on the galaxy, is something that has been the elephant in the room for a long time. While the ending left a little to be desired, it did do a good job of presenting the arguments for and against their involvement. They certainly have indirectly caused some trouble, but has the good they’ve done outweighed those mistakes? It’s a question without an easy answer. And that’s where they lost me a bit at the end. It all wrapped up rather neatly for the Atlantis team, and I would have liked to see a little more recognition of their role in the bigger picture, as opposed to what felt like a celebration of the victory.

Sci Fi

Sci Fi

Sci Fi

Sci Fi

Sci Fi

Sci Fi

During the trial, two things stood out to me. First, it was a great showcase for Woolsey. The decision to put him in charge of Atlantis is paying off. I was on board when he told the guards to put Myrus in a cell, and ready to cheer for him when he told the team, “Now that I know what the game is, I can play it.�?He really is a leader. And a leader that has gone through some pretty significant changes. Or possibly, given his recitation of his resume, reverted back to what he once was. I loved how completely unimpressed Ronon was with the Harvard Law Review.

Second, I’m left awfully curious about the Genii involvement in the trial. After learning that, I found myself thinking during the various clips that I would really like to see more on the Genii conspiracy. The makings for a full blown episode were right there. Removal of the clips also would have afforded time for the rest of the team to get on the stand. It would have been great to see McKay squirm through some questioning. More importantly, it would seem that the most intriguing testimony would have come from Teyla.

At the end of the day, it was alright. I’m glad that they acknowledged the question of the expedition’s role in the galaxy, and it was fun to see all of the old clips, but it was still a clip show. Things should pick up next week. He’s baaaack.


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 Message 28 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 10/26/2008 5:37 PM
Another sandy from Dr. Terror's House of Pancakes check in with the bad recap....
 
Remember back when SGA was in the planning stages and everyone was complaining that the SG-1 writing staff was spending too much time on that project to the detriment of SG-1's scripts? That's kind of the vibe I'm getting now, that the SGA writing staff was focusing on getting SGU up and running and not a lot of effort was being spent on SGA's scripts.

This episode could've gone a couple of ways and been better than it was. It could've been a true exploration of the moral dilemmas the expedition has faced since coming to the Pegasus galaxy, something ST:TNG excelled at in episodes like "The Measure of a Man" and "The Drumhead." Or it could've focused more on the allegation that the trial was a set-up by the Genii to discredit Atlantis and take over as the dominant military force in Pegasus (which totally sounds like something they would do). Instead, we got an hour of "yes, you did" "no, we didn't" interspersed with clips from previous episodes. Big deal.

If this episode is a turning point in how Atlantis relates to other worlds in Pegasus, I'll be a little more charitable towards it, but right now it feels like I killed an hour staring at the TV.

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 Message 29 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 10/26/2008 5:40 PM

Stargate Atlantis: “Inquisition�?/FONT>

 by Sandy from Sci Fi Chicks

The following review contains spoilers.

Sheppard’s team received an invitation from a coalition of planets to attend what they thought would be a diplomatic function. Instead, they were drugged and taken to an undisclosed location to stand trial for crimes against the peoples of the Pegasus galaxy.

This is where the show once again missed an opportunity to excel. The trial could’ve thoroughly explored the moral and ethical dilemmas the expedition has faced since coming to the Pegasus galaxy, but unfortunately many of those decisions (Sgt. Bates’s witch hunt for a traitor among the Athosians, medical experiments conducted on Wraith without their consent, Sheppard’s shooting of an unarmed Wraith prisoner, and the railroading of Kavanaugh because no one liked him when a Goa’ulded Caldwell turned out to be the saboteur, to name but a few) happened behind the closed doors of Atlantis and the trial judges had no way of knowing about them. The trial could also have ended sooner with a follow-up investigation to see if it really was a sham arranged by the Genii to discredit Atlantis and become the dominant military force in Pegasus. Instead, the trial consisted of a lot of ‘yes, you dids�?and ‘no, we didn’ts�?interspersed by clips from previous episodes. And since two of the three judges were chosen for their bias against Atlantis, dragging the trial out for the full hour was largely a waste of time, since the outcome was obviously not going to be decided by any of the testimony.

There was a time when the Stargate franchise would recognize and seize upon opportunities to take the hard road and turn out stellar episodes, but the writers currently seem to be taking the path of least resistance. I feel like I’m killing an hour, rather than watching the adventures of characters I’d come to care about.

And I really wish the show were going out on a high note, instead of trying to prove every week that it deserved to have been canceled.


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 Message 30 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 11/9/2008 4:18 PM
another sandy checks in on Stargate...
Oh yeah, now I remember why I like my show. ;-)

Could John and Rodney have been any cuter? The scenes where they were racing their radio-controlled cars and trash talking each other has just surpassed the 'beer on the pier' scene from "The Shrine" as my favorite McShep friendship moment ever. I also loved Rodney saying good-bye before John's suicide run, and John acknowledging that he's made quite a few of those.

It was also nice to see a plot that held together for once. Michael wanted Teyla's baby as part of his plan for galactic domination, and by the way, he was going to blow up the people who experimented on him just for good measure.

Michael totally has a grievance against Atlantis for the unauthorized experiments on him that ruined his life, but he needs to stop blaming them for everything he's done afterward. Not everybody responds to severe personal trauma by manufacturing a hybrid army to conquer the galaxy.

I'm sorry Michael is dead (assuming he is--we never saw the body). I liked him (and Connor Trinneer) as a villain. I'm especially sorry he died before somebody could give him a white cat with a diamond collar like all the other cool supervillains have.

Speaking of supervillains, is it just me, or did the incidental music playing while Michael and Sheppard were fighting on the tower ledge sound suspiciously Batman-like?

All this and McKay/Zelenka banter, too. Wow, have I missed my show. ::hugs show::

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 Message 31 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 11/9/2008 4:18 PM

Stargate Atlantis: “The Prodigal�?/FONT>

 by Sandy

The following review contains spoilers.

After a run of poorly written and implausible episodes, Stargate Atlantis finally returned to what it does best: action, banter, and revealing character interaction. It even had a plot that held together for the whole episode!

Michael returned to once again seek revenge on Atlantis for performing the unauthorized experiments on him that ruined his life and made him an outcast among his own people. This time, he wanted Teyla’s baby, whose genetic gifts could help Michael gain better control over his hybrids, and to blow up Atlantis and everyone who had experimented on him for good measure. Naturally, that didn’t work out well for him.

I’m a little sad that Michael is finally dead (assuming he stays that way–no one ever really dies in sci fi). Connor Trinneer brought a lot of sympathy to a character who was basically our heroes�?archenemy. Michael certainly had a legitimate grievance with Atlantis. He is, quite literally, the enemy they made themselves. However, blaming Atlantis for what he became and everything he did afterward wasn’t entirely reasonable. Becoming a supervillain bent on galactic domination with his own genetically engineered hybrid army is on Michael’s conscience alone.

In addition to the main plot, the show treated us to some of the best character interactions its had in awhile. We got to see Teyla both as a mother dealing with a colicky baby and as a warrior who dealt the killing blow to Michael. We also got to see John and Rodney’s friendship in a light-hearted way through trash talking each other while racing radio-controlled cars, and in a serious way through Rodney struggling to say good-bye to John as John prepared to leave on yet another suicide mission. And we got to see the officious Woolsey, who never met a form he didn’t like (in triplicate), struggle to wring mission reports out of the terminally laconic Ronon (and the mission report he finally turned in, all three sentences of it, was pure Ronon). Plus, there was the added bonus of Rodney and Radek’s ‘forcefield vs. stun bubble�?argument.

A plot that made sense? Friends who act like friends? Fun action scenes? Oh, show, how I’ve missed you. Welcome back.


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 Message 32 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 11/9/2008 5:05 PM

(Season 5, Episode 14)

Sadly, we only have six episodes left before Atlantis ends its run. I say sadly because “The Prodigal�?really shows that there is a lot of life left in the series. This isn’t a show struggling to the finish line, by any means. With the end in site, there were more loose ends to be dealt with this week. An old foe returned to the city, bent on revenge. Along the way we got to see a whole lot of fighting, some clever uses of the Atlantis technology, a new character stepping into the spotlight, and the cutest baby in the Pegasus galaxy.

Welcome back, Michael (Connor Trinneer). Todd has been the go to Wraith for a while now, but with the series winding down Michael, and his obsession with Torren, was going to have to be dealt with. This was a great way to do it, using the stolen jumper to gain entry, and the stun bubble to buy time. And yes, I’m going with stun bubble, just like McKay would have if he had thought of it first. And you have to admire his conviction, “It’s only fitting that I return, to extinguish this blight from the galaxy once and for all.�?/P>

Of course, everyone in Atlantis, and the galaxy for that matter, has issues with Michael, but it made sense for Teyla to be the one dealing with him. It also served as a nice fit coming out of �?A target=_top href="http://www.cliqueclack.com/tv/2008/10/25/stargate-atlantis-inquisition/#more-3325">Inquisition.�?Michael shares Shiana’s belief that everything he’s done is the fault of Atlantis. He’s just as crazy as she is in that thought, but you can see how he got there.

Fortunately, he didn’t belabor the point. Nobody wants to see an hour of Michael getting in touch with his inner self. We came for the showdown, and we got it. Two of them actually. Michael vs Ronon was a slugfest that lived up to the billing, and had what many would consider a surprising result. I would have thought some interference from one of the henchmen would be required for Michael to take out Ronon. Such was not the case.

The big story though was the final battle. Sheppard did all right for himself in what was a very cool fight outside the city. But really, as great as Sheppard is, if Ronon wasn’t taking down Michael, he was fighting a losing battle from jump street. Enter Teyla. Really, it was the best end for the Michael story. The way it has all played out, to have Teyla kicking him loose from the ledge seemed just right. And, even though they didn’t show us the body, I think we can close the book on Michael now.

Along with all of the Michael dispatching goodness, there was a lot of other stuff going on. Keller’s absence seemed a little strange, given that it was an Atlantis based episode, with scenes in the infirmary. I’m ok with it though, and in fact, I’d be all right with just giving all of her screen time to Banks (Sharon Taylor). She’s had an increasingly visible presence on the show as we’ve moved through the season and finally got her first major scene, and totally kicked ass. How she ended up as a gate technician and not a member of an away team remains a mystery, but I’m worlds more interested in Banks than I am in Keller at this point.

We also had two really good buddy sequences this week. First, Sheppard and McKay. I loved that they went to the under water jumper bay, and especially enjoyed the look from Rodney as he was found out. He had two years! The best bit though was the return of the ”long shot at best�?nbsp;task for Rodney, and Sheppard’s reaction to the news, “What do you need? Fifteen minutes?�?/P>

And then we had Ronon and Woolsey. Part of me wants to see some sort of comedic episode that finds these two living together in some sort of Odd Couple setting. They are just so strange together. But strange in a good way. From the discussion about filing reports�?“Was I there?�?“I saw you. You’re hard to miss.�?…right through to the filing of his first report. You could see the joke coming from a mile away, but it still worked.

All things considered, another fine installment. Season five is coming along nicely. Next week, another old foe returns to put the boots to Sheppard. It should be fun.


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 Message 33 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 11/10/2008 6:14 PM
oh no, Aelfgyfu and friends take on SGA now.....
 
SGA, "The Prodigal" 
 
I'd love to love this episode. I love parts of it, but other parts, especially Teyla parts, reminded me why I keep getting so angry at SGA. I'm a bit surprised to see that it seems everyone else on my flist loved it and have few complaints; you can, of course, skip mine. (If you have complaints too, please let me know I'm not alone!)


Yes, once I fall out of love with a show, the things that are wrong loom larger. If I still loved SGA as I once did, none of these would be fatal. As it was, I kept screaming at the screen.

Bloopholes
- Even if I accept that Michael managed to reverse engineer darned near everything about Atlantis from one puddle jumper, how the frell did he get the IDC from a team that was off-world and due back the next day? It should never have happened, and it's never explained. If he fed on them, I might buy this--but I thought he didn't feed on humans anymore (couldn't, in fact). Did I miss an explanation?
- Michael reverse-engineered everything except the self-destruct from one puddle jumper?
- Ronon hears Hybrid and Michael discussing the self-descruct from his hiding place outside the door. Ronon has a clear shot. Ronon takes shot. End of episode. What is this "Ronon runs and tells everyone else what's going on?" This is the weakest part for me. Direct it so that he doesn't have a shot at all; direct it so he hears but can't see. But he could have gotten the shot. With Hybrid and Michael dead, the other hybrids fall apart. End of problem.
- Rodney not only didn't repair damaged puddle jumpers for two years, his commanding officers never checked on their status? Am I counting correctly? Elizabeth (might be wrong here; when did she leave?), Sam, and Woolsey, not to mention Sheppard, all failed to inquire about the jumpers in the underwater bay? I can believe Rodney has better things to do, but are there only two scientists on the entire city? Well, assign Zelenka, then! (From last night's episode, it does appear that we are down to two scientists, since no one else does a darned thing.)

Characterization
- See Rodney leaving the only jumpers outside the jumper bay unrepaired for years, and everyone else allowing it, which I also consider a bloophole.
- Teyla! Oh, my gosh--so many good scenes mixed in with ones that had me screaming! Repeat after me, everyone: "PUT THE BABY DOWN." All that time in Woolsey's office, and all she managed to get was a comm unit? And it took her how long? Holy frell, people! This is what should have happened:
Teyla checked to be sure Torren was safe. Finding him safe, she should not have kept him in her arms, making her unable to fight. Instead, she should have searched Woolsey's office for a good, old-fashioned letter opener--you know he has one--or, failing that, prepared to break the glass on a picture or a diploma to make an improvised weapon. Yes, Michael has super-strength--but Teyla's one heck of a fighter. Why on earth would she take herself out of a fight when the baby, and everyone on the city, are at stake? Keep yourself between hostiles and the baby, but don't make it impossible to fight! This is almost a bloophole for me, too: if Teyla had driven a letter opener between Michael's ribs, or cut a jugular with some shattered glass--and you know he'd have come running at the sound, and been the first one there--the episode would have ended early.
--Teyla tries to quiet Torren by holding him and shushing when his eyes open in the jeffries tube convenient disguised cabinet? For goodness's sake, I'm a mom, and I am telling you: my baby would have been at my breast in a heartbeat. Don't tell me Teyla bottlefeeds him. The only excuse I'm willing to accept here is that a lot more time has progressed on the show than in real life and he has been weaned (which I would think would make him a year or more old), because I can't imagine Teyla didn't nurse him.

I thought Teyla was all wrong in all the scenes where she was holding the baby in Woolsey's office and nearby corridors. Yes, her top priority is to protect Torren--but she can't do that when the baby is literally between her and Michael in their conversations, her arms aren't free, and she can't even get in a good kick. Does Carl Binder know any moms? Know them well? I am not a violent person, but there would be no way I'd have held Small Infant at that age in such a situation. Teyla came off as weak until the very end, once she has handed off the child. Nope. Not accepting it.

Rodney fighting with Radek over what to call the stun bubble was just stupid.

Oh, and I got sick of Michael ages ago. Yes, they made him this way. But he has free will; they constrained it, and they were wrong, but they never took it away completely. He chose a path of slaughter and revenge. I get it, I'm tired of hearing about it, and I wish he'd blown up with his ship. I watched no previews and had cut myself off so securely from spoilers I did not know if we'd ever see Michael again; the moment lights went out except in Control, I said, "Michael came to take the baby." Something is wrong if I can, unspoiled, call the episode in that short a space.


Good stuff!
Woolsey! Woolsey and Ronon! Woolsey is a competent commander. He wants his people to follow protocol; honestly, I'm surprised Sam never even tried to get Ronon to file a report, because she's not a stickler, but she does adhere to protocol except when there's a good reason not to do so. I love that he wanted reports, and I love even more that he was ready for Ronon's "I'm not much of a writer."
I love that Woolsey knows his role when he wakes up. He's not trying to take charge, as he might once have done, militarily; he goes where he can do the most good. He does go first, because if Teyla and Torren had fallen through that stun bubble, Torren might well have died, between the shock and having his mother land on him.
Ronon's report is very much what I'd expect from Ronon, but I loved his interaction with Woolsey. He does have some respect for the man. They don't entirely get each other, but they know enough to respect each other.
Have I mentioned I love Robert Picardo?

John and Rodney: boys with their toys. I loved the scenes with the cars. They were so cute, so goofy, and so absolutely in character--I'd rather have had a whole episode of watching the characters I love behave in character than get a Michael-child-snatching episode.

Teyla with the boys--I thought the scenes without her buddies were just miswritten (see above if you like). With John and Rodney, though, she was in character. I know that "baby won't let me sleep!" feeling; she had more restraint than I would have. (I'd have kicked both cars into the wall repeatedly.) Small Child had colic. I also love the looks John and Teyla exchange when Rodney helpfully offered the fact that his mother just let him cry it out. Yes, Rodney: we know. I also love how amused she is at the end. She loves these guys. (Don't know why she didn't give the baby another middle name for Rodney, though: he helped deliver Torren! What'd Shep do? Hmph!)

I didn't like Teyla kicking MIchael off the tower, but it was right. It was in character. While he lives, he's a threat, and he's especially a threat to her son. If she'd tried to pull him up, even with John there, they couldn't be certain
he wouldn't gain the upper hand again. She did it not for vengeance, and not for herself, but for her son. I pray no one else ever gets hold of that DNA. (I never, ever want a follow-up episode here.)

Banks! I could almost believe her kick-boxing! Loved her exchange with Ronon. (Why have they never sparred? Surely they will now.)

Radek! I always love Radek. Yes, Rodney, it is a stun bubble; suck it up and get back to work. I love Radek's curses in Czeck. I love Radek helping to save the day, even if he never gets proper credit.

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 Message 34 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 11/10/2008 6:15 PM
aurora_novarum posts back.....
 
I can't figure out how Michael was able to steal the puddle jumper in the first place. They didn't give him Ancient genes did they? I guess he could've given himself some...but it would've been nice they explained it in a throw away.

Michael reverse-engineered everything except the self-destruct from one puddle jumper?

What? They...were trying to use the base's self destruct. But that apparently was the one item on the base that had lots of extra coding...probably after "Quarantine". They still wanted the puddle jumper to leave the base. Um...I think I'm misunderstanding you.

Ronon takes shot. End of episode.
Hee! I never thought of that. Um...stunners have limited range...um...yeah...that's the ticket. Out of range. I dunno.

Although I loved the bantery fight, I too fail to understand why no one did the jumpers before then. Maybe Rodney wouldn't trust anyone else to them and kept finding new shinies to work on himself...He and water and jumpers have...issues. Why that came as a surprise to Sheppard, I have no idea.

Teyla's characterization.

In some ways I agree, but also, Teyla's even awesome as she is, is probably pretty traumatized from being Michael's prisoner for so long. I can see her freaking out and not wanting to put the baby down for anything. Pry that child from her cold dead hands. Not practical, but emotionally understandable.

Plus from a practical matter, she may get Michael, but there's a bunch of other hybrids just as whacked out and she probably couldn't fight them all. What she needed to do was stall. Because Michael, even though he wants to kill everyone, is letting them all lounge out their stunning down the hall to all die together poetically in a self-destruct they won't know about until too late.

I wonder if Michael got the hard bound or paperback version of the Evil Overlord's manual?

The baby looked closer to a year. Hmm...we know a month passed between the first week of the episode and the second. And then...um there was a month or so after some battle because of injuries Shep had. And...um...yeah, I don't know.

Rodney fighting with Radek over what to call the stun bubble was just stupid.

I loved that scene.

I'm surprised Sam never even tried to get Ronon to file a report, because she's not a stickler, but she does adhere to protocol except when there's a good reason not to do so.

Well, apparently this was a change in protocol. So...I dunno.

(Why have they never sparred? Surely they will now.)

Screw Keller. Banks/Ronon! LOL! But you know, I fanwank that she spars with Teyla and that's why Teyla gave the baby to her. Not because she was the chick...it's bolstered by the fact Teyla told Banks not to let anyone leave (although, Banks seems to be head "tech" person of the control room, even outranking Chuck).

I think Teyla was right. She knew Michael was crazy and dangerous for her son, for herself, for the galaxy, and heck for John since he was getting his ass kicked at the time. And it's not like in Missing she was some kind of compassionate soul. She kills without regret when in protector mode.

The car scenes just seemed a bit silly to me. So huh, I liked the scenes you didn't and didn't like the scenes you did.

Well, except for the Woolsey and Ronon show. I love that show.

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 Message 35 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 11/10/2008 6:16 PM
Then  Aelfgyfu has this to say.......
 
 
I meant Michael did not reverse-engineer the Self-Destruct from the puddle jumper, but, aside from that, he seemed to have figured out everything about Atlantis before he set foot on it (again). He could cut power to the entire city and lock everyone out at once, and it took Rodney and Radek significant time to work around what he'd done. I think I had already fan-wanked that Michael gave himself the Ancient gene, probably when he stole the Jumper. (Doesn't mean I like it; I think it shouldn't work.)

This goes along with my complaint that Todd takes absolutely no time to figure out how the Daedalus(?) worked and take full control, except that it took him a couple of minutes to seal all the bulkheads. The enemy can just get into your ship or your city and know immediately how it works? Heck, then why do we need Rodney and Radek and the other scientists at all?

Is that clearer? If I'm not making sense, it's because I'm still sick--that's my excuse for everything. (I missed mass again. I. Missed. Sunday. Mass.)

I suppose I can handle traumatized Teyla; she certainly has shown signs of it, and she has plenty of reason! But once Michael were dead, I figure the hybrids would have no idea what to do. They don't seem very good at individual initiative. I kept putting myself in Teyla's position, and I screamed just having her hold the baby that close to Michael--Torren was in her arms, but it really, viscerally bothered me that Torren was between Teyla and Michael. I'm not a physically forceful person; I'm the kind of person who walks into doorknobs and trips over things that aren't really there. Even sleep-deprived, however, I can't imagine holding SC in my arms where the Bad Guy can reach out and touch her; I'd put my body between her and him.

I do like the way Teyla responded to Michael's ultimatum: she stalled, effectively (in a way I didn't think just talking to him in Woolsey's office was effective; he was just waiting for a breakthrough on the self-destruct, and I thought she needed to do more), and she offered a compromise that even seemed reasonable. Too bad Michael's not reasonable. I wanted more like she was in this scene: scared, but competent, and with a plan to get something, some small win.

I just felt like Teyla was acting weak and without a plan, and she's one of the strongest people on the city (or maybe the strongest, full stop)--and she's always coming up with plans (more sensible ones than Shep's).

Oh, I never even thought until you said it that Teyla might have handed Torren to Banks because she was female; it just looked like she was the most together, competent person in the room, and clearly Teyla already knew her! Hey, I'm handing my kid to the person who looks like she has fully recovered from the stunning too.

As I said, I have no argument against Teyla killing Michael. I wish she hadn't had to, because much as she was hardened against it at that moment, it's something she'll have to live with. I wish Ronon had just taken the shot, or Teyla had speared him with a letter-opener.

I guess I liked the happy scenes. I've realized that's the problem with me: I want my friends characters to be happy! Yeah, within episodes there are conflicts that make them unhappy, but basically, I want them to be happy. Especially right now, when I'm sick.

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 Message 36 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 11/16/2008 8:46 PM

Stargate Atlantis: “Remnants�?/FONT>

 by Another Sandy from Sci Fi Chicks

The following review contains spoilers.

Woolsey received his performance review from the IOA, which turned out to be a disguised political ploy to replace him with someone more willing to be the IOA’s puppet. His new friend, Dr. Vanessa Conrad, helped him fight to stay on Atlantis. Sheppard accompanied a pair of scientists on an overnight trip to the mainland, which led to him surprisingly being captured and tortured by Genii commander Acastus Kolya, who Sheppard had killed in the episode “Irresponsible.�?Meanwhile, a scan of the surrounding ocean had turned up a device emitting low level radiation that McKay and Zelenka were investigating.

The device turned out to be the link between all three stories. It was a pod containing the material necessary to rebuild a dying civilization. The device also turned out to be capable of producing AI’s to interface with selected people on Atlantis. The device made McKay see the Zelenka who suggested the ocean scan that led to the device’s recovery in the first place (the real Zelenka was off-world on a mission at the time); made Woolsey see Vanessa, whose job it was to determine whether or not Woolsey could be safely trusted with the knowledge of what the device really was; and made Sheppard see his greatest enemy to see how he, as head of the military, would respond to the alien race the device was hosting.

Interestingly, McKay saw a friend who worked alongside him and complemented his intelligence regularly, and Woolsey saw a physical manifestation of his ideal woman who reinforced his integrity and helped him stand up to the IOA. But Sheppard took the Genii hallucination and ran with it, so far exceeding the AI’s original scenario with torture he dreamed up himself that the AI ended the hallucination to save Sheppard’s life. The extreme torture Sheppard suffered at “Kolya’s�?hands (including an extended beating and the amputation of his left hand by machete) came directly from Sheppard’s psyche.

The AI commented that Sheppard tortured himself every day. We know this to be true from other episodes like “Doppelganger,�?but the show once again neglected to delve into the reasons why Sheppard is so hard on himself. It’s especially disappointing because there are only five episodes left before the end of the series, so this episode was probably the last and best chance to examine the demons driving Sheppard. He now has one more to add. Even though the physical torture turned out not to be real, the emotional trauma Sheppard experienced as a result of it was, and since Sheppard was alone during the experience and since he’s constitutionally incapable of talking about his feelings, no one on Atlantis knows what he went through, other than that he was contacted by the device’s AI.

“Remnants�?was an interesting outside point of view on some of the main characters that would have been a tiny bit more awesome if there’d been more time to spend on the characters in addition to the plot.


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 Message 37 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 12/1/2008 1:43 PM

Stargate Atlantis: “Brain Storm�?/FONT>

 by Sandy

The following review contains spoilers.

I guess I’ve procrastinated enough on reviewing this episode. It’s been very hard to figure out what to say because I have a lot of conflicting emotions about it. I’ll start with what this episode had going for it the most, which was the plot.

A physicist back on Earth named Malcolm Tunney (Dave Foley from The Kids in the Hall and NewsRadio) invited Rodney McKay to a presentation of his latest scientific breakthrough. McKay used to occasion to invite Jennifer Keller on a first date. Tunney’s revelation was that he could counteract global warming by using a matter bridge to harmlessly shunt the heat from Earth into another universe. Unfortunately, Tunney had based his matter bridge on the classified work done by McKay and his sister, Jeannie, in “McKay and Mrs. Miller”–the matter bridge that proved so unstable that it nearly destroyed the fabric of the universe. McKay attempted to prevent Tunney from opening up the bridge, but his efforts were attributed to jealousy and the demonstration went on as planned. The matter bridge opened as intended, but then refused to shut down. The desert facility where the demonstration took place was surrounded by a force shield that also couldn’t be shut down, so no one could escape as the facility got colder and colder. Another side-effect of the matter bridge malfunction were “freeze rays�?(where’s Sheppard when you need him to name something?�? that flash froze whatever they hit, including people. Naturally, it was up to McKay to come up with a solution under pressure to save the day.

As silly as it sounds, the plot actually held together very well and was able to fill up an episode all by itself. Which is fortunate because there was no B plot, except for one blink-and-you’ll-miss-it scene where Sheppard and Ronon were taking off for a few days of camping and surfing on the mainland back in Atlantis. There was plenty of action and peril, some character development, and even some geek humor, as Tunney’s other guests included Bill Nye (The Science Guy) and astrophysicist (and PBS series host) Neil deGrasse Tyson interacting with McKay as though they were colleagues.

Where the episode fell down was in its execution. I’ve been getting the feeling lately that the writers over at Stargate Atlantis are just killing time until they can start work on Stargate Universe. They certainly don’t seem to be putting as much effort into the show they currently have on the air as they have in the past. Early in the episode, one of the freeze rays hit one of the attendees and froze half of him solid. Why the shock of that didn’t kill him outright I don’t know, but it would’ve been better if it had. As it was, writer Martin Gero had Keller examine the victim briefly and announce that he was in bad shape, before never checking up on or mentioning him again. As the only medical doctor in attendance, shouldn’t she have been keeping an eye on the patient instead of following her boyfriend around and criticizing his people skills?

Later, when the force shield collapsed, the intense cold of the facility came into contact with the hot air of the desert and immediately spawned three strong tornadoes. I wish I were making that up. Because you know what spawns tornadoes? Thunderstorms. You know what causes strong tornado-spawning thunderstorms? Cold, dry air meeting warm, moist air. You know what happens when cold, dry air meets warm, dry air? A breeze. I might be willing to buy that desert air converging on a single focal point from every direction might result in enough of an updraft to spawn a dust devil, but it would not generate a thunderstorm, let alone three tornadoes. If Gero had spent five minutes on Google, he would’ve known that.

The big climax involved Keller being trapped in a hallway with a burst pipe, being showered with water in the freezing cold facility. By the time McKay rescued her, she was unconscious and had no pulse or respiration. McKay immediately performed CPR for three seconds and she woke up. I wish I were making that up too, because there are so many things wrong with that scene I hardly know where to start. For one thing, hypothermia is caused by a drop in core body temperature. Rescue was on its way, so Keller could’ve kept her core temperature up by continuing to move around, instead of huddling in a corner. If she were from a sunshine state or not a medical doctor, I wouldn’t expect her to know that, but she’s a medical doctor from Wisconsin, so hypothermia and its prevention should not be foreign to her. Also, CPR and a blanket do not cure hypothermia. Once a victim is unconscious and has no detectable vital signs, he or she has to be slowly warmed under medical supervision or the toxins that have built up in the blood due to limited circulation can kill. She certainly wouldn’t be making out with her boyfriend so soon after the trauma that her hair was still wet. If Gero had spent five minutes on Google, he would’ve known that too.

And there’s my problem. Tornadoes and hypothermia aren’t exotic SF inventions like the matter bridge. The science behind them is fairly common knowledge, especially in regions of the country that have the potential to experience them the most. Gero obviously didn’t spend the minimal amount of time necessary to look up some very basic facts about his very major plot points. Why? Does he not care anymore and is just passing time until he can start writing for Stargate Universe? Does he think the audience doesn’t care anymore, either? Or, worse, does he think the audience is too stupid to notice? I wound up feeling so insulted by the lack of even minimal care being put into the script that it overshadowed the rest of what was basically a fun episode.

If the episode’s own writer can’t be bothered to care about it, why should I?


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 Message 38 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 12/8/2008 2:37 PM

(Season 5, Episode 17 - “Infection�?

After a week off to examine the McKay/Keller relationship, it was time to get back to it. “Infection�?brought the whole team back together again (Lorne too); paid off the nasty bit of business at the end of �?A target=_top href="http://www.cliqueclack.com/tv/2008/10/11/stargate-atlantis-the-lost-tribe/">The Lost Tribe�? as well as the Keller gene therapy from �?A target=_top href="http://www.cliqueclack.com/tv/2008/09/27/stargate-atlantis-first-contact/">First Contact�? and, most importantly, provided a reason for Todd to rejoin the story. It all added up to an action packed episode that managed a nice mix of that adventure with some interesting discussions on the gray areas of the Atlantis relationship with Todd. All that, and zombies. What more could you ask for?

Given that it was the root cause of Todd’s situation, let’s begin with the Keller gene therapy. There are certainly echoes of Michael and the retrovirus in this tale. The big difference, of course, being that Todd didn’t have the gene therapy forced on him. I was surprised to learn that not only had he been testing it, he used it on himself. I assumed, from his “What would we be?�?question to Keller, that it wasn’t something Todd was likely to do any time soon. Then again, much like the retrovirus, it seemed to be working so well, right up until things went off the rails.

It makes one question just what the motivation for using the therapy was. Sweet, teddybear-like alien that he is, I don’t really see Todd developing a soft spot for humans and “doing the right thing.�?The answer has to stem from a tactical advantage he would be afforded. Were we not so close to the end of the series, I’d be worried that we were heading for another situation like we saw with the replicators. A rogue army of burger-loving Wraith wiping out “food supplies.�?/P>

The real treat with Todd, though, is that he is such a gray area character. We saw the whole thing laid out again by Sheppard. There is certainly an upside to just blowing him up straight away. But then, he’s been useful in the past, and could prove useful again in the future. Oh, the conundrum. I was thrilled to see it play out with Todd gating off to give the Iratus bug treatment a go. Because, really, is there anyone that thinks it’s not going to work? It puts Todd squarely back in play, and that’s a good thing. I wouldn’t mind seeing both the Iratus bug, and the gene therapy, working as a precursor to Todd joining Atlantis in some capacity. I know, give him Keller’s job!

I can’t imagine Todd would pause in the middle of a crisis to ponder his inadequacy. That scene nailed down my biggest pet peeve with Keller. How did she ever get this gig in the first place? On the other hand, it could just be that the whole scene felt like it was forced in there in order to acknowledge the grand love affair that started with the hypothermic nookie in the jet plane. I just can’t get on board with the McKay/Keller thing. That probably doesn’t bode well for me and Universe, does it?

Getting back to the out-of-control hive ship �?I was pretty happy with the way things played out. Passing the virus to the ship through the pods, leading to the malfunctions and the constant reconfiguring was a solid idea. And the addition of the wraith soldiers, sans masks and extra creepy, made for some great action. The new-found taste for meat made them the baddest zombies ever. It also set Sheppard up for one of my favorite lines. “Great. So we’re flying around in a giant tumor.�?/P>

Finally, how about our old friend Woolsey? Look at how he’s changed. He’s dealing with his own gray areas. When it first came out that he was taking over for Carter, the big question centered on how he would balance all of those rules with what needed to get done at Atlantis, and the influence of Sheppard. It’s changed him. And in the process, validated the decision to put him in charge, both in the writers doing it sense, and the IOA doing it sense.

All things considered, this is just the kind of episode I’m looking for as the show winds down. Cleaning up some loose threads while getting the whole team together, with the bonus of another Todd appearance, makes for a good hour. It does suck that the show is ending, but it looks to be headed out on a strong note.


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 Message 39 of 39 in Discussion 
From: MSN NicknameRichardakatickSent: 1/4/2009 4:41 PM

A strange one but really pretty good ep......

 

Stargate Atlantis - You got your CSI chocolate in my SG:A peanut butter

(Season 5, Episode 19 - “Vegas�?

With the next to last episode of a series, you would be within reason to expect that this is where the rubber meets the road. Any time that needed to be filled has been, and now the team back at HQ can settle in to wrap up the series. That’s what we got with “Vegas,�?but in a very odd way. I’m pretty comfortable saying that this was the strangest episode of Atlantis to date. And that’s strange in the good way, not the eye-rolling, WTF, way.

If you have been following Stargate news at all, this one has been operating under the title of CSI: Atlantis for some time now. With that in mind, the setup didn’t really come as a shock. I was still surprised by how far they took the idea though. There were a ton of elements here that gave it a very CSI, and very un-SG, feel.

To name a few - the flashbacks to the crime, the sunglasses, strange camera angles, extreme lighting, the reveal of the corpse, internal effects shot, freeze frames in the poker game, the musical interludes, hanging out with the M.E. It all came together rather well, setting the episode apart from the rest of the series. Aside from it being interesting to see Atlantis in this new light, the fact that this was all taking place in an alternate reality made the strange new look work that much better.

The whole alternate reality bit did initially give me pause. I believe I’ve mentioned the rule of the Dr. before. Essentially, it’s my philosophy that the only one that should go messing about with time, and alternate realities are an extension of that, is Dr. Who. For everyone else, it seems that it all too often leads to a morass of contradictions, or a meaningless episode where none of it ‘really�?happened.

It can be fun, but it’s often left as just an empty space. And fun/empty isn’t what one is looking for with the series finale right around the bend. Fortunately, the bullet was dodged on that one with the ending. As Zelenka and McKay ponder what it means that the wraith message was sent to alternate realities - and land on “They could be in a lot of trouble.�?- the title of the big finale starts to make a whole lot of sense. This isn’t just an empty, one-off installment. Wheels are in motion, and there will be consequences.

Getting back to the story in the alternate reality, there was a lot to like. Among the bits that stood out for me were the “Beautiful People�?segment, where we see the Wraith preparing to go out amongst the public, and the “Solitary Man�?section where Sheppard makes his decision.

Of course, it was fun to see Agent Woolsey, F.B.I., and to once again raise the suspicion that there isn’t a reality where McKay and Zelenka actually get along. And I’ll never complain about more Todd, but ultimately, this was a Sheppard story. It was going to sink or swim based on him, and it really worked for me.

Sheppard has never exactly been the happy go lucky, pie in the sky, character. AR Sheppard though, was a whole new brand of dark. It was fascinating, and could have stood up to a longer run, had time permitted. From solving the case he wasn’t meant to, to taking the money and running, to doing the right thing and saving the day, it was a solid story.

The only part that didn’t really do it for me was the poker game. I suppose it was to give us that authentic Vegas feel. And they tried to amp it up with the guys from The Sopranos (Steve Schirripa, Frank Vincent), and a couple professional poker players (Todd Brunson, Roy Winston). But if you are going to try and give us dark Sheppard, degenerate gambler, don’t have him hold his cards like a four-year-old who just discovered the wonders of Go Fish. Admittedly, part of my annoyance with that scene could be the fact that I loathe The Sopranos. Either way, small gripe.

At the end of the day, “Vegas�?was not at all what I would have expected for the next to last episode of the series, but I’m pretty happy with it. It was different, offered up one last big showcase for Joe Flanigan, and set the stage for what should be a big series finale.

A few other odds and ends:

  • Keller doesn’t look old enough to be in medical school. That’s what I’ve been saying all along in the regular reality.
  • Was I the only one that thought of Claire Bennet when the Wraith took the dive off the rooftop and started to get up?
  • McKay’s introduction to Sheppard was particularly harsh, but I loved the delivery on the line, “�?off the books gambling losses to a guy named �?Mikey.�?
  • Todd the poet. “I’ll show you your destiny, John Sheppard,�?is yet another example of why Todd is my favorite Atlantis baddie.

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