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 Message 1 of 22 in Discussion 
From: MSN NicknameRichardakatick  (Original Message)Sent: 9/9/2008 3:21 PM
TNT SHOWS withoput their own threads, like The Closure, Saving Grace, Raising the Bar and others.....
 

The Closer: Tijuana Brass

(S04E09) It would appear that summer really is coming to an end. The Closer will wrap up its run next week with the big, explosive, finale. And with the end of the season in sight, "Tijuana Brass" started wrapping up the major ongoing story. The infamous Ramos article was finally published, and the the effects were many and varied. It couldn't have come at a worse time either, as Priority Homicide found themselves in the middle of a very delicate case.

Let's start with Ramos, and the reorganization of the department. There is still a little work to do with how things will shake out once titles and responsibilities are shuffled, but we have enough to pass a grade on the Ramos story. All things considered, it worked well. It was an interesting issue to tackle for the simple fact that law enforcement does have a very tenuous relationship with the media. It makes sense that we would see our favorite law enforcement officials struggle with it.

The addition of Ramos (Stephen Martines) injected a whole new tension that we haven't really seen before, and it really spread. You could see the issues between Pope, Brenda, and Taylor coming as it all came to a head. But the entire team ended up being stuck in the middle. It also set the stage for the line of the night as Provenza cautioned Brenda, "Let's fight one Pope at a time."

I'm curious to see what it all means for the show as we move ahead. It certainly seems that the reorganization will be largely cosmetic, as Ramos feared. Brenda is keeping her job, and her entire team. The crucial difference may be what kind of cases they are assigned. It's a clever move after fifty episodes. Opening up the story options to any "major crime" should offer some creative breathing room.

Getting back to the case, I really liked how this one played out. I was completely caught off guard by the opening, simply because they chose to cast Silas Mitchell as Father Donohue. The last three things I've seen him in were Burn Notice (Seymour), My Name Is Earl (Donny), and Prison Break (Haywire). All three are such over the top performances that his presence brings an expectation with it, for me anyway. It took a second to get on board with just what he was up to.

That's no reflection on Mitchell's performance, of course, just an odd artifact of modern television. He actually had a really good performance here, and his scenes with Brenda were my favorite part of the episode. It was given a little extra weight by everyone freaking out at the idea, given the post-article climate, of even going near the church. On a couple of different occasions, as the two went back and forth, neither really giving, it really looked like it would be a no go. The way they found common ground, and the confession at the end, were both really well done.

I was also tripped up when Fritz showed up to vouch for Mateo. The fact that he really was one of the good guys, and had given up everything to fight the good fight, was unexpected. Even with the FBI endorsement, it was still easy for the viewer to remain just as skeptical as Brenda and the team as the evidence piled up. The skepticism did start to wane rather quickly with the appearance of Commandante Vasquez (David Barrera).

It was pretty clear from jump street that he was going to be mixed up in the case somehow. When Donohue mentioned that a hit had been put out on Mateo, I had him pegged for that role. I didn't fully catch on to just how deep in it he was until everyone looked so surprised at who the owner of the truck was. Having the big gotcha scene on the other side of the glass was a nice change. And kudos to everyone for the take down scene. When Vasquez went after Brenda, that was truly frightening. But that's also right where they lost me.

The gambit of booking Vasquez as Mateo was the typical Brenda genius. And I was perfectly willing to go along for the ride as it led to him turning on his bosses and going away for a very long time. But to actually go through with it? Really? I can almost twist it to fit with Brenda's quest for justice, but this was conspiracy on the grandest of stages. It wasn't one person omitting a fact to send someone to death. It was a whole group of people. Despite that questionable ending, still a pretty solid episode. It looks like big things are afoot for the big finale next week.

Other bits:

Hidden in all the serious drama were three fun gags.

Gabriel getting the sponge gun to the face, and his reaction when it became clear that nobody was quite sure what was in the sponge.

Tao putting on his performance for the crime scene footage. "For those in the know, nothing better in the handgun biz." Like he's auditioning for his own show on Discovery.

Fritz making reference to Donahue's church being a good place for a wedding. Brenda shut him down, but it was nice to see it mentioned.



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 Message 8 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/8/2008 5:37 PM

(Season 1, Episode 1 - “The Nigerian Job�?- Series Premiere)

All I want to say is wow. But since this is a review and all, I suppose I should be slightly more specific than that. It’s not often a pilot captures me like Leverage’s did. This show has everything I value in good television: heists / missions, clever writing and plot twists, humor, conspiracy, unique characters, actors with chemistry and a fast pace with unexpected moments. In a word �?fun.

After the break, I’ll just revisit some of my favorite moments from tonight’s masterpiece of a pilot �?thanks, Leverage!

  • Seeing Angel’s Christian Kane again in a quality, role gives me a reason to smile. I am intrigued by Eliot Spencer and can’t wait for more reveals about his unique and amusing character.
  • It excites me that the actors seemed to fall into a natural groove with each other; there’s nothing worse than watching a frightening re-do of Seinfeld’s first season’s interactions: lack of chemistry, complete with a side of awkwardness.
  • The main break-in mission was beyond clever. From the �?0s pop culture reference (8675309) to the down-to-the-minute organization of the team �?complete with disguises, gadgets, computer prowess and suspense.
  • It just made sense that this team of heist junkies had so much fun doing the job together that they just couldn’t part ways. The thrill of the job was magnified for all of them as they worked as a team, and they way they came together again at the end was the perfect set-up.

I hope you enjoyed Leverage as much as I did. I can’t wait to dig in to the regular reviews of this spectacular new show �?yay TNT!


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 Message 9 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/8/2008 5:39 PM
if we were going to be around longer, this show would have it's own thread, that is how much I love this show which as the above reviewer said was FUN!!!!!
tick
 

Leverage: The Nigerian Job (series premiere)

(S01E01) Now that's what good television is all about. This slickly produced show managed to keep things light and fun in the world of high-stakes criminal espionage. It makes sense since executive producer Dean Devlin directed the pilot and slick and fancy is what he's all about. Certainly Independence Day got by on its look and feel rather than any great plotlines or dialogue. Devlin's production company has also been behind the very successful The Librarian series of films for TNT which are also very high on style.

If this pilot is anything to go by, it looks like Devlin and TNT will have reason to be pleased again. The pilot, presented with no commercial breaks, kept the momentum going from the opening sequence to the end. Timothy Hutton was effective in the lead role, but it's not like we slowed down long enough to get inside his head or anything. The closest we came was a twelve second heart-to-heart between him and Eliot leading into a flashback where we saw him watching through a door as his son died.

But it really doesn't matter, though, as that's not what the show is about. Sure it would be great to get to know these people a little bit more than we do at this point, but the fun of the show is in the execution of their plans and the outsmarting of their rich fat-cat enemies. I love the premise that it will be them taking on the rich and corrupt to help the little man who so often gets swept under the rug.

It's also fantastic how this team is a group of criminals and loners, save for Nate (Hutton). Okay, he's a criminal now but only after the corporate machine swept his son's life under the carpet. I like that as a motivation, and I really enjoyed the banter between the various members of the team. With Devlin having only directed this pilot, I'm curious and a little worried to see how the tone and presentation might shift in forthcoming installments.

There's potential for this premise to go years without getting stale. Hell, it could even handle cast changes and keep going. The strength of tonight's episode was in watching how they pulled off the original heist and then how they took down the fat cat who left them to die. And tonight they were flawless. While it would add an element of suspense if their plans didn't always go off nearly perfect, it's almost just as much fun to see how clever they are.

This is one of the better premieres I've seen in the last several years. My mind keeps going back to FX's short-lived 2006 series Thief with Andre Braugher. I enjoyed that show as well, but it seemed so much more somber and intense than Leverage. Maybe it's the era we're living in, but escapist fare seems a good fit these days, and Leverage seems to offer it in spades.

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 Message 10 of 22 in Discussion 
From: MSN NicknameADarkZombieSent: 12/8/2008 8:35 PM
 
if we were going to be around longer, this show would have it's own thread, that is how much I love this show which as the above reviewer said was FUN!!!!!
tick
 
 
 
the funny thing is..I almost started a thread for it WHILE we were watching it last night!!

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 Message 11 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/9/2008 7:45 PM

Vampires. You can’t walk down the street these days without stepping on one of them. They’re on television, in books and on the movie screen. Hell, one even moved down the street from me. Which, pardon the pun, sucks because he’s up all night, blasting Yanni tunes from his outside speakers. Hey, some of us living folks have to get up at sunrise and go to work! You undead idiot!

So, it didn’t come as much of a surprise when the latest installment of The Librarian movie series �?The Curse of the Judas Chalice �?featured, you guessed it, vampires. Or rather, the search for the one true vampire and the chalice that would awake not only him but his undead minions. In the middle of it all is one Flynn Carsen, played by Noah Wyle.

Does Flynn survive his meeting with Vlad the Impaler? Or, does he become a sad-sack vampire with a long black coat who rescues the down-trodden of Los Angeles? Of course he survives! Whether he did it in an entertaining way is another story.

Turns out, that it was entertaining and, dare it be said, better than the second installment of this series. I think it was possibly the setting of this particular movie, in and around the outskirts of New Orleans, that made it feel more comfortable. It was also the subject matter: vampires are always entertaining. Then, it could have been that both Flynn Carsen and Noah Wyle have adjusted to their roles.

Just as he easily fit into the role of the young John Carter on ER, Wyle has become quite an adventurer/scholar. Plus, he really seems to enjoy the emotional roller coaster that his character goes through on a typical day. In this particular installment of the series his character went from having a mental breakdown to being joyful at taking a vacation and feeling somewhat normal. Even when he was being serious there was a smile hiding behind the actor’s solemn demeanor.

Meanwhile, Flynn has become someone that could begin to give Indiana Jones a run for his money. Sure, he’s still a bit of a klutz, but he is definitely showing signs of calmness, and ingenuity, in dire situations. A perfect example is his first meeting with the telemovie’s heroine, the 400-year-old Simone. Rather than cowering from the Russian tough guys, Flynn used his ingenuity and knowledge to help him and Simone to escape.

Despite Flynn’s acceptance in his current role, there is still some sadness to the character. Especially when it comes to the relationships he has formed with the opposite sex. His last two romances down the tubes, he really hoped that Simone would be the one for him. Alas, it wasn’t to be the case. For, when Flynn killed Vlad, the vampire that turned Simone into one of the undead, she had nothing else that needed to be accomplished. I will say that, while not a tearjerker, the final scene between those two was sad and romantic.

Show of hands from those who knew that Simone was going to be a vampire from the start. Uh-huh, I thought so. I had an inkling she was something more than a jazz singer when she began throwing Flynn across the bedroom. Her appearance in the warehouse to save him cemented that fact. At least she wasn’t one of those mopey vampires who skulked around the alleys of New Orleans.  She was one of those friendly vamps you would want to take home to your mom for dinner. After sunset, of course.

Though it was a made-for-TV movie, The Curse of the Judas Chalice provided some pretty decent action and special effects. The best use of these effects was towards the end of the movie during the battle between Vlad and Simone. How they flashed in and out during their struggle was almost ballet-like in nature. Also enjoyable were the scenes that took place in and around New Orleans. It’s nice to see the city coming back after the devastation of Katrina.

If there was one thing to be negative about it was the lack of screen time for both Bob Newhart and Jane Curtin. Yes, this is really Noah Wyle’s baby, but it seems such a waste of talent not to use these two actors more in the series. Especially Newhart, who plays the most mild-mannered immortal seen on TV. Maybe a special or a webisode featuring just these characters could be made.

I swear that I heard this was the last of the Librarian movies being made. I certainly hope not, since Judson let an ominous statement slip that Flynn would be very important in the battle between good and evil. Perhaps TNT can get a Librarian mini-series produced that will tie up some loose ends. If I heard wrong, then I look forward to the next installment of the series.


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 Message 12 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/10/2008 10:10 PM

Leverage: The Home Coming Job

(S01E02) "The world doesn't work this way." --Dr. Laroque
"Then change the world." --Nathan Ford

Oh, I really do like this show. It looks like the fine folks behind Leverage are going to use this platform to "expose" the kinds of corporate corruption that we all know are there but may just not be able to prove. As established over the past several years, a lot of these bastards at the top of the corporate world are just as bad, if not worse, than the common street criminal. In fact, I'm going to go with worse. Tonight's target: Castleman, a company that provides a private "army" to the U.S. Government. You know, Blackwater.

In keeping with the Robin Hood concept, the idea behind this heist is to ensure that PFC Dwight Caplan can get the rehab he needs to get out and start working. The kid's not looking for a handout, just a fare shake in life. And since it was Castleman, and not insurgent fire, who took that away from him, he's looking for justice. Which is what Leverage is all about.

I loved the cover corporation, complete with a painting of Nathan's ancestor and founder of the company in 1913. Hardison is on his way to becoming my favorite character. I love that the "computer geek" is absolutely brilliant at what he does, but in no way personifies the stereotypes of a typical computer geek. Still, couldn't his wall of screens have been seamless? Those black bars get in the way of everything and I know we have the technology to have a seamless integration of multiple screens. I'm disappointed Hardison!

Wait, Eliot Spencer may be my favorite character. He's a very particular character. From identifying firearms used based on the sounds of their gunfire to a branch of the military based on a knife fighting style, Spencer is one knowledgeable and resourceful guy. I'd like to say that the girls are my favorite characters too, but I'm not as excited about what they bring to the table yet.

Don't get me wrong, I totally did how crazy Parker is and loved when she shoved Hardison off the roof to test her new pulley system, but even so she's not as much fun to watch as Spencer and Hardison. The same goes for Sophie. In fact, in her case I'm not seeing why she's so much more effective acting like someone she's not when we've seen other people on the team doing it as well. I do enjoy her forays into attempted "real" acting, though. God, she's terrible.

Two episodes in, and everything I loved about the series from the pilot is still here. The method used to set up both Dufort and Congressman Jenkins to take the fall for the container of money was brilliant. The false back to the truck seemed almost too simple when Hardison was tearing it down, but it was effective. I'm not sure how Dr. Laroque and her staff are going to move two giant pallets of money out of the back of a truck to use for the hospital without drawing a lot of attention on a busy street, but I guess that's their problem, and a problem I'm sure they're only too happy to have.

I noticed online that even the cast and creators were saying this was a melding of sorts of The A-Team and Mission: Impossible, which is exactly what I was thinking as I was watching it. There was always an element of comedy and fun on The A-Team and Leverage is finding the same balance. Already, the camaraderie between this disparate group of criminals is starting to develop. There are so many great lines of banter packed in each episode we could fill an entire article just running through them.

Instead, I'll just encourage you to watch the show. Both the pilot and this one are on again this Saturday starting at noon (Eastern). This is one of those shows that can appeal to everyone. Action, humor, snappy dialogue, humanitarian, topical, and getting to see the little guy come out on top every week. What's not to love?

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 Message 13 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/10/2008 10:13 PM
Looks like someone missed the boat..
laughs
a recap of last Sundays ep...
 

Leverage: The Nigerian Job (Episode 101)

Hi, shiny new show!  It’s good to meet you.  This is a tough one to recap, because a lot of the awesomeness comes from stylistic camera angles and other such things that I can’t fit in here, but I’ll try to do it justice.

Right away we learn that the first rule of Leverage is you do not talk about Leverage that this show does not fuck around.  We jump right into the story, no fancy-pants introductions needed.  A man is sitting in a ritzy airport bar, getting his drink on.  An invisible typewriter gives us his id, reading “Nathan Ford: Ex-Insurance Investigator.�?nbsp; Another man comes over and sits next to him, saying that he knows who he is and recapping some of Nate’s accomplishments with the insurance company he worked for.  WAY later in the episode they reveal that he is Victor Dubenich of Bering Aerospace, but I’m going to cheat and tell you now so I don’t have to keep typing “that guy.�?nbsp; Victor alludes to the company letting Nate’s family down somehow, but we don’t hear more about that because Nate tells him that they’re almost at “the point in the conversation where I punch you nine or ten times in the neck.�?nbsp; Heh.  Victor also says that someone stole his airplane designs and that he wants Nate to steal them back.

And see, this is the part of the show that makes me think that it really, REALLY hates recappers, because it cuts back and forth between two different set of events and time frames.  Show, do you know how hard that is to describe in a linear fashion?  Anyway, we’re currently across the street from a high rise building at night.  The invisible typewriter from a minute ago tells us that this is the headquarters of Pierson Avionics.  Nate and three other people are there, and Nate breaks away from the group to set up shop in a different building.

And now we’re back to Nate’s meeting with Victor, who reasserts that the head of Pierson Avionics stole his airplane designs.  Because he has a shareholders' meeting at the end of the month, he doesn’t have time to get them back through the court system, so he’s hired three thieves to help them.  Nate looks over their profiles and sees that their all people he’s chased at one point or another and that they’re all people who typically work alone. Nate is hesitant, since he’s not a criminal, but that’s exactly Victor’s point.  “I already have thieves,�?he explains.  “What I need is one honest man to watch over them.�?/P>

And we’re back at the building across the street from Pierson Avionics.  Nate fiddles with his computer until a blue-print of the tower is projected on the wall. Impressive.

Aaaaaaaaaaand we’re back at the meeting! Nate doesn’t see how this can possibly work, given that each of the thieves likes to fly solo, but apparently even the most anti-social criminals will play nice if offered $300,000.  Victor offers Nate twice that if he signs on and, more importantly, he offers him revenge against “the insurance company that let [his] son die.�?nbsp; As soon as he says that, Nate’s along for the ride.

Back at Pierson Avionics (where we actually get to stay for a while, thank God), we meet the rest of the thieves.  First is Alex Hardison, who specializes in “Internet and Computer Fraud.�?nbsp; We get a flashback of him from five years ago, in which security guards break into his hotel suite looking for Mick Jagger.  There are women around him in Princess Leia bikinis, playing with light sabers, and he casually tells the guards that “this is not the room you’re looking for.�?nbsp; Awesome. Back in the present, he hands off some new communications devices to the second thief, who seems a bit surly.  His name is Eliot Spencer, he’s a “Retrieval Specialist,�?and he’s rocking some serious Billy Ray Cyrus hair.  We get another flashback, this time of Eliot in Serbia three years ago.  He walks up to a big group of thugs, sipping something from a mug while his luxurious locks frame his face artfully, and asks for “the merchandise.�?nbsp; The thugs draw their guns and we cut to an exterior shot while shots fire.  When we get back to the room Eliot is still just sipping from his mug while all the thugs lay dead on the floor, and their boss hands Eliot a baseball card.  We go back to the present and meet the third thief, the apparently crazy and last-nameless Parker.  And boy, did they pick the right person to play the crazy chick, because Beth Riesgraf is the loon who named her son Pilot Inspektor.  I will never understand that one.  Anyway, the invisible typewriter lets us know that Parker specializes in “Security Circum, Infiltration,�?and is just a thief in general.  Her flashback is a little more unsettling, as it involves domestic violence, child abuse, and murder.   We see her as a little girl nineteen years ago.  Her father takes away her bunny and says that if she wants it back she’ll have to do what he says or “be a better thief.�?nbsp; This gives her an idea, and she walks away with her bunny while she blows up her house and (presumably) her parents.  Ah, nostalgia.

The team gets ready to move in, but Parker decides to repel down the side of the building a bit ahead of schedule.  She dangles outside an office, cuts a hole in the glass, deactivates the motions detector and gracefully flips inside.  She sneaks into a room with all sorts of wire, some of which connect to an elevator.  Hardison and Eliot, who snuck into the building through a vent, ride the elevator down when Parker gets it working.  They get to a door and Hardison starts to crack the ten digit password.  There’s a potential problem, though, because some of the security guards are doing their rounds early so they can watch the basketball playoffs.  Eliot hides so they can use Hardison as bait, and the security guards quickly find the hacker and hold him at gunpoint.  Never fear, though, because Eliot comes strolling to the rescue and WHOA BABY is he STACKED!  Those are some impressive guns, boy.  Eliot makes quick work of the security guards, disarming them and knocking them out with impossible speed.  When he’s done he stands amongst the bodies and ejects the clip from a gun, saying “That’s what I do.�?nbsp; UNF UNF UNF.

They finally crack the password and open the door, revealing Pierson Avionics�?hard drive.  Hardison gets all the files and backups, leaving a few viruses as a parting gift.  When they try to leave Parker realizes that the guards reset all the alarms on the floors above them, meaning they have to go incognito to get out on the ground floor.  They change into buisness-wear and give Parker a leg brace and crutch.  They also draw on her face, but I still can’t figure out what that’s about.  The three of them make it out of the building successfully and Nate drives the getaway car.  A few hours later they watch as Hardison sends Victor the files, and everyone seems relieved that they no longer have to work together.  Actually, Hardison does seem open to the idea of future collaborations, but everyone else basically tells him to GTFO.  We get a nice aerial shot of them standing in the middle of a crossroads before they all walk off in separate directions.

The next morning, Nate is woken up by his cell phone ringing.  He answers it, knocking over some empty nip bottles on the way (am I sensing a theme here?), and hears Victor yelling at him on the line.  Victor is five kinds of pissed because he never got the designs, even though Nate watched Hardison send them.  He’s freezing all of the payments, and he tells Nate to go to an undisclosed address in an hour.  I smell trouble!  An hour later Nate arrives at a warehouse and finds Hardison holding a gun on Eliot.  Nate tricks him and gets the gun away, because Hardison is one of those super smart guys who is super dumb about real world situations.  Eliot isn’t packing because he doesn’t like guns, and methinks that will come up again at some point.  Parker arrives a moment later, saying the lack of money hurts her “in [her] special, angry place.�?nbsp; Once they’re all there it takes Nate about two seconds to figure out that this is a set up, and they manage to run out of the building just before it explodes.

Tragically, they can’t get far enough away to avoid being knocked out by the blast, and when Nate wakes up he’s handcuffed to a hospital bed.  Eliot is handcuffed to a chair near the window, and Parker and Hardison are stuck in the next room.  The police printed them twenty minutes ago, meaning they have about ten minutes to get out before the state police call and reveal who they really are.  Though the thieves all want to try and escape individually, Nate asks them to follow his plan.  They don’t trust each other but do trust Nate (who is “an honest man�?, so they agree to follow his lead.  First, Parker makes herself throw up in order to get a phone.  I really thought she had SWALLOWED a phone at some point just in case she needed one and was regurgitating it, but it turns out she was just trying to attract people that they could steal phones from.  That makes more sense.  Eliot uses one of the phones to pose as the state police, and then Nate poses as the FBI.  Nate says that Hardison is actually an undercover officer, and they use a fake badge Hardison created with a picture phone he stole as proof of this fact.  The ruse works, and the group gets away just as the real state police make contact with the local sheriff.  Victory!

Once they’re out of dodge, the group goes to Hardison’s apartment to get some tickets out of the country.  Eliot is more interesting in beating Victor to a bloody pulp for trying to kill them, while Parker has more of a problem with the fact that he didn’t pay them.  “I take that personally,�?she says, looking off into space.  Hey, you know what your son takes personally?  Being named Pilot Inspektor.  You got what you had coming, sister.  Anyway, Hardison does some digging and finds proof that Pierson Avionics really did come up with the designs; Victor hired them to steal the designs, not to steal them back.  He pretended to be a wronged party so the thieves wouldn’t think he’d double cross them.  They’re about to cut their losses anyway when Nate suggests that they do a job on Victor, set him up to lose his fortune.  His plan should work for everyone; Eliot wants revenge, Parker wants money, Hardison also wants revenge but can’t think of anything better than “sending a thousand porno magazines to his office,�?and Nate wants Victor to pay for using his son to convince him to do the job.  An unholy alliance, it has been formed.

But what’s that, kids?  How can they work a job when they can’t be seen by Victor?  An excellent question, and one that Nate has already found an answer to.  They go to see a woman named Sophie, who is absolutely BUTCHERING Lady Macbeth’s “unsex me�?monologue.  No, really, it’s painful.  The thieves agree, but Nate assures them that “this is not her stage.�?nbsp; They meet her in a very shady alley after her performance, and the invisible typewriter tells us that her name is Sophie Devereaux and that she’s a grifter.  We flashback to Paris seven years ago.  Sophie is trying to steal a bunch of paintings and Nate catches her in the act.  They both shoot each other, but are evidently not severely harmed.  Back in the present, Sophie and Nate are brewing up a big pot of unresolved sexual tension.  She tells him that she’s living honestly now, and he simply replies that he’s not.  “I always thought you had it in you,�?she says, and agrees to join the team.

The team gathers back at Hardison’s apartment, and show FINALLY tells us Victor’s name and profession.  Aren’t you glad that I didn’t make you guys wait that long?  Because he’s a thief, Hardison made copies of the plane designs.  They look them over and Nate says a whole bunch of stuff that basically amounts to “I know a shitload about planes,�?though he says he’s just picked up the info here and there.  “You pick up a lot of stuff,�?Hardison says, and Parker lets out a loud laugh.  It took me a while to get that, but I think the joke is about picking up STDs, right?  Anyone?  Anyone?  Bueller?  In any case, Nate seems to have a plan already, and it has something to do with Nigerians.  Of course it does.

Over at Victor’s office, his secretary tells him that his “nine o’clock is here.�?nbsp; The camera pans over and we see that it’s Sophie, posing as a very hot representative from the African Commercial Transport and Trade Initiative.  And let me tell you guys, she is rocking the business suit and the African accent.  Hardison is still back at his apartment with Nate, and he comments on how not sucky Sophie sounds over their communication system.  “This is her stage,�?Nate informs him.  “She’s the finest actress you’ve ever seen…when she’s breaking the law.�?nbsp; Sophie tells Victor that her company tries to create jobs in Africa and keep stealing manageable, and that she thinks they should talk “somewhere less formal.�?nbsp; Probably stunned that a gorgeous woman is actually acknowledging his existence, Victor starts to refuse.  Seriously man, hop on that!  If you don’t I will, sexual orientation be damned!  After a few moments Victor manages to follow Sophie out of the office, and then the real fun begins.

Hardison hacks into the secretary’s computer and makes it crash, causing her to call IT.  Of course, Parker has hacked into the phone lines and poses as IT, telling the secretary that someone will be with her in a moment.  That someone turns out to be Eliot, geeked out with everything from a pocket protector to horn rimmed glasses.  Somehow this makes him look even more like Billy Ray Cyrus, which is both hilarious and a little unsettling.  While he distracts the secretary with his geeky swagger, Parker sneaks into Victor’s office.  She plants a bug under his desk, does something to his computer and gets out. We hear pieces of Eliot’s conversation with the secretary while she does this, including his confession that he “loves dressing up like a Kling On and going to all those conventions.�?nbsp; Show, if you actually make this happen I will be yours forever.

Meanwhile, Sophie is still making Victor feel all funny inside with her flirtations and business propositions.  She tells him she wants his company to build all of their new planes in Nigeria, using the country as a base of operations.  Initially he refuses to even meet with the Nigerian representatives, but when she threatens to take the offer to Pierson he caves.  Success!

That night the group gathers back at Hardison’s apartment.  Hardison looks through the files Parker got and everyone else chillaxes.  This, of course, leads to some guy love.  Eliot and Nate have a heart to heart over a game of pool, as Nate is a little uncomfortable with just how good it feels to be a criminal.  Dude, have you been watching?  This is the LIFE.  I’d quit this job to pull of heists with my peeps in an instant.  When Nate tries to redirect the conversation Eliot offers his condolences about Nate’s son.  Apparently the boy was sick, and the insurance company Nate worked for refused to pay for treatment on the grounds that it was experimental. We briefly see the child on his deathbed via flashback before Nate abruptly (and rudely) ends the conversation.  Sophie comes over and momentarily revives the UST, and Hardison watches them with childish glee.

The next day Victor arrives at a building in which Sophie’s company is supposed to have an office.  He arrives early, so Nate distracts him by smashing out car windows while Parker helps Sophie repel down the stairwell.  She gets there just in time, though she’s probably knocked a few years off of her life.  In the elevator on the way up to the fake offices, Sophie tells Victor that the Nigerians will expect “compensation�?for their business.  In other words, they want a bribe.  By the time they get the offices Eliot has attached a sign bearing the company’s name to the wall, and it all looks quite legit.  The meeting seems to go well, and at the end one of the Nigerians hands Sophie an envelope to give to Victor.  He opens it and finds that the Nigerians have requested $1 million, a sum he finds quite acceptable.  When he gets back to his office, Victor and his assistant look under his desk and find the bug. Turns out Victor did a little research of his own and found out that Sophie and her offer weren’t legit.  He knows he’s being hustled and he calls the FBI to inform them that the Nigerians will be at the shareholders�?meeting the next day.

While the meeting commences the next day, the team prepare to do their thing.  When Sophie gets there and greets Victor he suggests that they close the Nigerian deal immediately.  She seems a bit taken aback by this decision but agrees to get the meeting started.  Victor leads everybody into a conference room.  As soon as they’re there he pages the FBI agents, who promptly try to arrest him.    He’s like “um, what is this fuckery?�?and the FBI agent informs him that the Nigerian government officials are in face Nigerian government officials.  See, Sophie contacted them and told them that she worked directly under Victor.  They thought that they were meeting Victor in his other office, and we see a flashback of Eliot changing the sign outside of the office to read “Bering Aerospace.�?nbsp; When Victor realizes that everything has well and truly gone to hell, he runs outside to try to do damage control with the shareholders.  Unfortunately it is very difficult to explain heavy FBI presence at a meeting, and one of the officers makes matters worse by asking who else was involved in the bribe.  Victor once again realizes that he was tricked, and we see a flashback of Sophie handing him a different envelope from the one the Nigerians gave her.  That one contained a check for $200,000, meaning that Victor accepted a bribe from the nationals.  Thanks to the good ol�?Patriot Act the FBI can seize all of Bering’s papers and computers, and the workers can’t get rid of everything in time.  In all the pandemonium he doesn’t Nate and the gang, dressed in FBI jackets, walking out of the office with boxes of files.

Sometime later, Nate meets with Mr. Pierson, the head of Pierson Avionics.  He gives Pierson a copy of all the files that were stolen and “proof that they were on Bering computers.�?nbsp; In exchange, Pierson agrees not to press charges against Nate or “his people.�?nbsp; Though Pierson offers money, Nate turns him down, saying that “this particular project has a different revenue stream.�?nbsp; Cut over to Victor’s office, where the FBI is having a field day going through his stuff.  The TV news reports that Bering stock plummeted, prompting a massive sellout.   Victor is looking thoroughly depressed when his phone rings.  It’s Nate, explaining exactly how they set him up.  The bribe charge will stick, since Sophie used the money “to buy a truly impressive number of shoes.�?nbsp; Work it, girl.  He also explains that, since they knew the stock would fall, he and the team managed to make “shattering amounts of money.�?nbsp; It seems this is the case, since everyone pretty much falls over when they look at the checks Hardison hands them.  At first everyone wants to stick to the “one time only�?teamwork deal, but as he walks away they all come running after Nate.  He doesn’t want any part of it, since his job has always been taking down bad guys, so Sophie suggests that he only choose bad guys for them to work over.  He thinks about it, and suddenly we’re in the living room of a very distraught couple.  They explain how a company killed their teenage daughter and that they don’t have the money to pay for revenge.  And now Nate gives us a lovely little summary of the show that usually comes at the beginning of the pilot, explaining exactly what the concept is and what will happen from now on:

People like that, corporations like that, they have all the money and all the power, and they use it to make people like you go away.  Right now you’re suffering under an enormous weight.  We provide...leverage.


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 Message 14 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/10/2008 10:28 PM

‘Leverage�?ing justice fantasies

I miss Hustle, the BBC drama chronicling the escapades of a crew of grifters who cleverly take down and rip off only those who deserve it. Somehow, the series got off our radar; either it disappeared off our local cable channels or we somehow missed it in our transfer in cable providers. Anyway, we haven’t seen it in a long time, and that probably contributed to my draw towards TNT’s Leverage, a kind of Americanized version of Hustle about former insurance investigator Nate Ford who assembles a crew of experts in the criminal arts and turns their expertise into the righting of wrongs.

Why am I drawn to shows like these? As I watched Leverage’s second episode, it dawned on me that these kinds of shows are like “justice fantasies”—the stories we play out in our heads born out of the longing we have for the righting of a wrong, which could be anything from a personal slight we received to the defeat of injustices and sufferings of others. I must admit, I definitely have them every now and then. (Okay, maybe more than that, heh.) Shows like this give me a sense of satisfaction in watching folks come along side the powerless, suffering and wronged and set things right. In some ways, I find them an echo and misty reflection of God’s words through Isaiah to seek justice and defend the weak or the words at the end of Proverbs urging us to speak up for those who can’t and defend the rights of the poor and needy.

One could say that Jesus told a few justice fantasies of his own. There’s the story of the servant whose king forgave him an enormous debt but who then turned around and threw into prison a man who owed him but a pittance; that servant ends up getting his comeuppance. There’s also the story of the tenants who maimed or killed every messenger the land owner sent—even his own son—and ended up coming to a “wretched end.�?BR>
Interestingly, however, these stories aren’t told to simply satisfy our need for justice. Jesus is talking about how it works in the kingdom—and instead of having his listeners identify with the wronged in the stories, Jesus invites them to identify with those who perpetrate injustice. The kingdom works by love, right-ness, just-ness and grace. If we are unmerciful, unforgiving or dismiss God, we will end up with our own comeuppance. In many ways, Jesus�?stories broaden and deepen justice fantasies, prodding us to not only long for justice for ourselves and others but constantly examine ourselves to make sure we are not the ones acting unjustly—be it by withholding love, forgiveness, respect, justice and rightness or actually pursuing wrong.

And this brings me to another reason that Leverage works for me. Nate’s decision to form this group is born out of his own experience of injustice. His son died because an insurance company refused to pay for a treatment that could have saved him. This experience originally sends him into a personal downward spiral, but ultimately it creates a sense of empathy for those who feel as powerless as he did. It also gives him a sense of purpose, a way to use his gifts not for profit (he gives away most of his cut of the money he makes) but to “change the world�?(as he puts it at the end of the second episode)—to make it more right.

And that’s a reflection of how it works for us too. Often it is our own suffering and struggles with darkness that awaken an empathy and awareness for the suffering of others. When we encounter suffering and injustice (and even escape or suffer the consequences we deserve), we should allow God to use those experiences to transform and engage our hearts with his longings for and work towards right-ness and just-ness in a broken world.

Granted, the methods Nate and his crew use are often questionable or simply wrong. And the plotlines in shows like these often border on revenge rather than justice. But more often than not, I find the stories themselves invitations to consider who we are called to be as those who live in the kingdom within a broken world that still suffers and struggles with darkness.

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 Message 15 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/14/2008 11:02 AM

Leverage: The Homecoming Job (Episode 102)

We start off with a home movie of several soldiers just outside Najaf, Iraq.  The soldier taking the video is a young man, and the movie is for his fiancée, Jenny.  He and fellow soldier crack some adorable jokes about a scorned camel before they point up some private contractors that make 100 times the money they do.  Almost as soon as they indicate the contractors�?bullets tears through the cameraman’s friend, and soon he and the camera are also shot to the ground.  The video stops playing and we see that Nate has been watching it with the cameraman, Corporal Perry.  He’s in a wheelchair and his fiancée left him, but he’s got a ridiculously good attitude.  Since the contracting company (Castleman Enterprises) was responsible for the shooting, he just wants them to pay for his rehab so he can get back out in the work force.  The company is currently facing no ramifications because they refused to cooperate in the shooting investigations, so Perry is out of luck.

Before he and Nate can work out a plan, one of his doctors comes over and takes Nate out of the hospital.  When they get outside she rips into him about how he shouldn’t get Perry hopes up, and says the hospital can’t afford to rehab any of the soldiers it treats.  Nate insists that he’s only trying to help, but Dr. Pessimism won’t listen.  “People don’t just show up and help,�?she says.  “The world doesn’t work that way.�?nbsp; Well, aren’t you a ray of sunshine.

Once Dr. Pessimism and her disillusionment go back inside, Nate decides to phone a friend.  He calls Hardison and tells him to contact everyone else.  We cut over to Hollywood, where Sophie is doing an extremely dramatic audition for a soap commercial.  She gets a call, and the commercial directors are more than a little relieved to see her leave.  Now we transition to Berlin.  Eliot slams a man into a car, only to be help at gunpoint by another man.  Evidently a good deal of time has passed between the pilot and this episode, because Eliot’s hair is at least an inch longer and not nearly as flat-ironed.  When his phone rings he effortlessly knocks the gunman out and takes the call.  And now we’re in Monaco, where Parker takes her call in the middle of stealing a Van Gogh painting.  Sneaky sneaky! 

The trio gets together and goes over to an office building, talking about what they did with the millions they earned in the last episode.  So far Sophie has bought a bunch of houses, Parker has simply put it in a bank, and Eliot refuses to say what he’s done with it.  Though I think it’s safe to say none if it went towards a haircut.  When they open the door to an office, they see it has been elegantly furnished and bears a sign saying “Leverage Consulting & Associates.�?nbsp; Hardison waltzes in and explains that this is their new cover.  It’s a pretty extensive set-up, even including a Hardison original painting of the company’s fictional founder who, incidentally, happens to bear a striking resemblance to Nate.  The thieves are shocked by Hardison’s generosity, but it turns out that Nate paid for everything.  He also donated the rest of his money to a children’s hospital. Aw, poor grieving daddy.  But Hardison’s had enough of all that selflessness talk, because it’s time to show his goodies (not like that!).  He opens the door to a conference room that is so decked out in technology that I can’t even begin to describe it. Well, that’s a lie: it has the standard conference table and lots of chairs, as well as six huge plasma screen TVs tiled on one wall.  Hardison explains what it does, but all you really know is that it will take care of all their technological needs for the rest of the series.  Sounds sort of contrived, I know, but apparently this stuff is all legit.  And it comes with a premium sports package, so I can’t hate.

Nate arrives just as Eliot is about to pop a hockey-induced boner, and the team watches the home video from Iraq.  Eliot immediately IDs the guns as belonging the Castleman’s contractors based on the sound the weapons made.  Have any of you guys ever seen the old Fox show Dark Angel?  Because I’m like, 99.999% sure that Eliot is a transgenic, and that last .001% is only because I still think he might actually be Billy Ray Cyrus.  He’s got the super-strength, super-speed, and now he’s a gun whisperer.  I’m just saying, it’s possible and I want crossover fic.  Anyway, Eliot is concerned about taking on such a huge business, especially considering the fact that they have numerous government contracts and more than one lobbyist in their pocket.  They decide to take these douches down with some good old fashioned blackmail.

The team goes undercover at some sort of fancy pants function; Eliot is the pony-tailed waiter, Sophie is the token hot lady, and Nate is the token guy in a suit.  Meanwhile, Parker and Hardison repel down the side of Castleman Headquarters and break in.  Does anyone else get the feeling that there’s an easier way to do this and Parker just really enjoys it?  Sophie possess as a representative from Executive Orders, a London-based defense contractor.  She talks with Charles DuFort, the head of Castleman, and Senator Robert Jenkins.  The two are in cahoots, and DuFort is more than happy to tell Sophie all about the perks of buying a Senator.  “Oh, I just threw up in my mouth a little bit,�?Hardison chimes in when he hears the conversation on his earpiece, “I’m a professional criminal and I find that disturbing.�?nbsp; Preach it.  Nate smears some dip on the back of DuFort’s jacket, giving Sophie the opportunity to steal his ID card and hand it off to Eliot.  He does some technology thing and suddenly Hardison has access to DuFort’s computer files.  What’s proving a bit more challenging is the voice activated safe that Parker found.  She still needs some sample sounds of DuFort’s voice, so Eliot gets him to pronounce a crazy French appetizer.  It’s pretty giggle-inducing, but not as funny as when he gets him give the last sound sample via f-bomb.  The fun only last a moment, though, because Hardison finds sine disturbing stuff on Hardison’s computer; there’s a ton of info on Perry, including medical records, tapped emails and even surveillance footage from outside the hospital.  Nate realizes that the cover-up is about the contents of the truck the shooters were gathering around, they leave the party to go and protect Perry.

At the hospital, Nate and Sophie find Perry and try to escort him out of the building.  Eliot seems to have some sort of traumatic stress reaction to seeing a pair of crocs (perfectly understandable), but he’s really just indentifying the men sent to kill Perry by their shoes.  He lays the smack down and steals some paperwork from them.  When the team gathers back at their headquarters we learn that the assassins have all the paperwork needed to make Perry’s murder look like a suicide. Everyone is rattled by how serious the situation has become, since nobody ever got physically hurt in their past jobs (well, except for everyone Eliot beat up, but they had it coming).  Nate and his blatant alcoholism remind everyone that this collaboration was their idea, and the team decides to disband after they finish this job.  In the meantime, they’re going to try to get Jenkins and DuFort to turn on each other.

Sophie flies over to Washington D.C. to meet with Jenkins.  She tells him that she’s heard that Castleman is looking to buy off a different congressman.  If he notices signs that Castleman is breaking up with him, like the halting of all the little favors he’s used to, he’ll know that their partnership is crumbing.  Meanwhile, Nate meets with DuFort in Los Angeles, using a hilarious upstate New York accent to pretend that he works of another congressman.  He says that Jenkins has been meeting with representatives from foreign contractors, and that he’s not going to put earmarks favoring Castleman in an upcoming bill.  Though both parties seem confident in the other’s allegiance, the seeds of mistrust have been sown.

Eliot and Hardison are back at Geek Central.  Hardison has discovered that, while Jenkins never took any direct bribes, he’s gotten a lot of contracting work done on his home for a fraction of what it should cost. Jenkins is especially invested in an upcoming order of mahogany panels, which he found at a site “that’s basically wood porn.�?nbsp; Heh.  Eliot leaves to gleefully call and cancels the order as Nate and Hardison settle in to watch Parker fuck with the government.  She’s going to mess with the aforementioned bill, taking out the pages that favor Castleman and adding their own pages before dropping it in the Hopper.  She’s successful, much to Hardison’s approval.  “Sexiness!�?he says when she gets the job done.  “You might want to ease up on that a little but,�?Nate tells him.  Heh.  These characters all have all the best interactions.

By the time Sophie and Parker return from Washington, DuFort and Jenkins have already had their inevitable spat over the bill and mahogany panels.  Hardison plays a phone conversation between the two of them which reveals that Castleman mad a single delivery through Manila right after the shooting.  Whatever they delivered is in container 541 at the Port of Los Angeles, and they have to get to it before it moves in two days.  Eliot, Parker and Hardison take on this challenge.  There’s a webcam in front of container 541, and before Hardison can do his techno stuff Eliot takes it out with a well-aimed rock.  That’s a man right there!  Hardison is intimidated by the sheer testosterone, saying “that’s too far away to punch, I’m sure that really frustrates you.�?nbsp; Awesome.  Parker picks the lock on the container, revealing a solid wall of cash.  She’s very excited by this development.

The trio steals a sample of the cash to check out, and they find that it’s not counterfeit.  “It feels real,�?Parker says dreamily, rubbing the money against her cheek. Though it seems impossible for that amount of money to be legit, Nate confirms their findings by revealing that the insurance company he used to work for was the one that sent the cash to Iraq.  $9 billion went missing, and apparently Castleman got their hands on some of it.  When the contractors saw Perry and the other soldiers they thought the jig was up and started shooting, even though none of the soldiers knew anything.  Though Castleman is a billion dollar company, they still want the cash because, you know, it’s cash.  Untraceable and all that good stuff, so they can do all their shady schemes without getting caught.  The team seems to think that it’s just too much money to steal, but Nate reminds them that they won’t be stealing.  You’re the good guys now,�?he says.  “You’re going to give it all back!�?nbsp; They don’t look particularly thrilled with this option, either.

Back at the Port of Los Angeles, Nate and Sophie provide a distraction by pretending to be an extremely obnoxious tourist couple.  Hardison and Parker go in to physically steal the money and Eliot possess as a security guard at the front gate, wearing the same glasses he did when he was pretending to be the Star Trek loving compute technician.  Jenkins arrives, trying to get his mahogany panels, and Eliot helps him out.  He’s also using a southern accent, and they should really make him do that all the time.  Over at the containers, Parker gleefully sets up an explosive.  A minute later the security guards dealing with Nate and Sophie see the explosion and a white truck comes peeling around the corner.  The truck picks up Nate and Sophie before Eliot lets them through the gate.  Security finally catches up with them and forces Hardison (who’d been driving) to get out of the truck.  “Oh, I see what this is,�?he says.  “This is about my ethnicity.  It’s because I’m Jewish.�?nbsp; HA!  Hardison opens the back of the truck and, much to the security guards�?chagrin, it’s completely empty.

At the same time, Jenkins and DuFort (who arrived a few minutes before) meet in front of the blown-up container.  They argue, each one thinking that the other is responsible for this mess.  Suddenly several news crews show up, saying that Jenkins called them.  They also notice that container 542 was blown up, not 541, and they force Jenkins to open 451 with a key that Eliot gave him.  All the money is still there, and Jenkins quickly makes up a cover story about how Castleman discovered corruption in Iraq.  For a minute it seems like they’ll be able to cover their asses, but then all of the reporters, DuFort, and Jenkins get phone calls.  They all receive footage from the repaired webcam in which DuFort and Jenkins confess to their crimes.  Try and get out of THAT one!

Over at the army hospital, Perry and Dr. Pessimism meet with the team and their truck.  It still appears to be empty, but Hardison rips down a paper division that has the inside of an empty truck printed on it to reveal a shitload of cash.  Clever!  Dr. Pessimism actually seems pissed that they’re being given all of the money, but Perry tells her to STFU and take it.  He thanks the team, and Eliot shakes his hand and thanks him for his service in the army.  Aw.  Other patients filter out and look in amazement at their gift, and now the good doctor can’t even help breaking out in a smile.  The team looks on, feeling all warm and fuzzy for having caused so much joy, and Nate challenged them to walk away.  “One more,�?Eliot says, and the team agrees to keep at it.  As they walk away Eliot marvels at the fact that Nate gave all of his money away.  Nate admits that he did buy a car and strolls over to a FIERCE convertible.  “Midlife crisis,�?the team agrees after he drives off.  Oh how right they are.


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 Message 16 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/17/2008 7:18 PM

(Season 1, Episode 3 - “The Two-Horse Job�?

I thoroughly enjoyed the first two episodes of Leverage, and was left with just one nagging little question in the back of my mind. The show is really well done, and a big ol�?ball of fun, but how are they going to keep it from falling into a caper of the week pattern? It’s the classic serial/stand-alone conundrum. Too serialized and you eventually have a story so dense nobody new wants to come and play. Too stand-alone, and you run the risk of boring those fans you do have. With episode three, we got a good look at the Leverage solution to that particular problem, and his name is Badger.

Well, it was Badger, when he was on Firefly. And it was Lampkin when he was on Battlestar. Or maybe you are more of a Medium fan and remember him as Walker? The Middleman�?/EM>s Manservant Neville, anyone? Perhaps you’re clairvoyant and think of him as Tanaka, from Dollhouse, even though it hasn’t premiered yet. I’m talking, of course, about Mark Sheppard, or Sterling, as we’ll be referring to him throughout the Leverage season.

To be honest, while there was a lot of great stuff in “The Two-Horse Job,�?the highlight for me was Sterling rolling up on Nate and kicking off what should be a fantastic battle. I mention all of those other roles because Sheppard’s presence has been a huge bonus on each of those occasions, and I fully expect the same thing here. We’re still going to get those fun weekly capers, which will repeat so well when TNT kicks this thing into heavy rotation. But those that are playing along with the home game get a nice little bonus as we watch this rivalry develop over the course of the season. Good stuff.

The other nice bonus was a little deeper look into the past of one of the team. The quick shots like we saw tonight with Parker’s traumatic childhood introduction to horse violence, or Eliot in the great monkey conspiracy, are great, but the one that got away? Even better. Watching Amy and Eliot transition from a somewhat disappointing memory, to happy you’ve found a family, added a little emotional weight to the story. It’s not a well they can go to every week, but I wouldn’t mind a couple more of these peeks into the past later in the season.

It all made for what was an entertaining, if occasionally confusing, case. The introduction of Sterling complicated the plan to the point that I was starting to get lost, but in the good mystery way, when they finally opened the stable to reveal Baltimore. In trying to keep it all straight I missed the biggest clue �?Nate asking Sophie if she had Foss turned around enough. It all came back into focus with the flashback to the switching of the nameplates.

Things got a little murky, though, at the finish. The fraud invalidates the second sale, so ownership reverts back to the previous owner? I’m still not exactly sure how that worked. Sure, Foss did try to insure his $200,000 horse for $12,000,000. But how does that invalidate the fact that the investment group did pay $12,000,000 for the horse? Was ’Gibson�?saying that he didn’t sell Baltimore to Foss? Or was it that the paperwork didn’t have Baltimore as the horse being sold? Because, either way, it seems like ’Gibson�?and ’Kitty�?would have been pretty scarce right about then. It would have made more sense had they used some of the Foss money to buy Baltimore back from the investment group, at a drastically reduced price, so they could give him to Willy.

Ultimately, it’s an awfully small nit to pick, because the rest of the episode was so good. In addition to Mark Sheppard, Rick Hoffman was also well cast as Foss. He’s done that overbearing jerk character plenty of times before, most recently on Samantha Who?, and he does it very well. When he’s mad, it’s like he’s on the verge of a heart attack.

A few of my favorite bits from the crew this week:

Parker stole the show with the crazy looks on her face. From the scrunched up nose when she realized that Sterling was on to them, to the confusion when the marked cards didn’t work, to the terror of coming face to face with not just a horse, but a horse that was about to be teased�? She also had a great line with, “A talking animal that nobody else can hear? That never ends badly.�?/P>

Hardison was once again fighting the good fight, for what it is he does. His reaction to the group interrupting his presentation was great. “A little something visual for the visual learners, and for the audio learners.�?He takes it so seriously. Aldis Hodge was the one I was least sure of coming into the show, because Voodoo Tatum (Friday Night Lights) and Jake Talley (Supernatural) are about as far removed from cyber ninja as you can get. He’s won me over though, and I buy him when he tells Nate, “Couple years ago, all the cell phone companies went digital with their voicemail systems. Man, it was like somebody put a new swingset on my playground.�?/P>

When Nate returned to Leverage HQ, you knew Sterling was going to be there, right? I really liked that scene because they have now set the two of them up as the unstoppable force and the immovable object. Sophie even hinted that Sterling might be better than Nate. I think we’re all pretty safe in betting that Nate comes out on top in the end, but it does look like it is shaping up to be a heck of a fight.


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 Message 17 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/19/2008 2:12 PM

Leverage: The Two-Horse Job (Episode 103)

Dear Show,

The next time you plan on having this much hotness in one episode, please include a warning.  I only have two ovaries, and I don’t want them both to explode in the face of Christian Kane’s hotness before I have kids.

Infertilely yours,
Gemma

The invisible typewriter lets us know that we’re starting the week at Kensington Racetrack Stables in Kentucky.  I woman drives up to a burning barn and jumps out of her truck, screaming for her dad.  A horse runs out of the barn and her father follows after, saying that it’s too late to save the other horses.  Cut to the man’s office, in which he’s briefing Nate and Eliot on the fire.  Nine horses were killed and one, Baltimore, survived with smoke in his lungs.  The man is Eliot’s friend Willy, and it seems that Eliot knows almost as much about training horses as he does.  Willy didn’t fully own the horses, since horse-racing is actually “a rich man’s game.�?nbsp; But a “Wall Street guy�?named Alan Foss offered him 10 percent ownership when he started up his horse franchise, so Willy agreed.  Only problem was that the horses weren’t meeting Foss�?expectations, so he burned the barn down to collect the insurance money on them.  He’s been telling people that the fire was Willy’s fault, meaning that Willy’s lost his barn and his reputation.  Because all of the people they help on this show are saintly, Willy doesn’t want any of Foss�?$2 million insurance payout; he just wants Baltimore so he can take care of the horse.

At that moment his daughter Aimee walks in, and gets really pissed upon seeing Eliot.  Apparently they used to be lovers, and she hasn’t forgiven him for leaving eight years before and never making contact.  Yeah, that’s a pretty good reason to be angry.  They were also fairly serious, as Eliot gave her a promise ring.  Can someone please explain the concept of promise rings to me?  You’re promising to get engaged, right?  So why don’t you just get engaged and be done with it?  Ultimately they’re both promising marriage, so what’s the difference?  Anyway, Eliot tries to promise that he won’t let his feelings for his ex-fiancée get in the way of the case, but he doesn’t know how to do the Scouts�?honor sign.  More importantly, though, Eliot is especially hot in this scene (if you couldn’t already guess that from my letter to the show).  Maybe it’s the flannel shirt or the broodiness over the horses dying, but there’s a little something extra.  I would hit it approve.

In Geek Central, Hardison is briefing the entire time on the case.  Foss is a hedge fund manager in New York, and he’s very good at making money in all different sorts of ways, including high-stakes poker.  Parker raises her hand and asks to be excused from this case, since she’s got a morbid fear of horses.  We flashback to Camden, Illinois 20 years ago.  Little Parker and her bunny are at a birthday party, and they watch in horror as a man in a horse costume beats a clown to death.  Jeeze, no wonder Parker is so screwy.  The team decides to ignore her plea, but Hardison keeps getting interrupted and gets frustrated.  “Y’all wanna take over the briefings?�?he asks.  “I got to a lot of trouble to make these things interesting, have something visual for the visual learners, and the auditory learns, and it’s just interruption.�?nbsp; Hee.  Parker notices that IYS, Nate’s old employer, holds the insurance policy on the horses, and Nate’s excited by the prospect of sticking it to them.  The goal, of course, is to get Baltimore back to Willy, and they’ll need to infiltrate the Kensington Race Tracks to do so.

They go down to the tracks and do their thing; Eliot, Hardison and Nate set up a fixed poker game while Sophie poses as a horse seller named Kitty.  She meets Foss at the bar, and even though her accent somehow manages to sound both British and Southern at the same time, Foss is to smitten to notice.  She steals his wallet and gives it to Parker, who discovers that he has a $50,000 credit card limit and that he bet on a horse named Kentucky Thunder.  He wants to take her out after the race but she says that she’s hosting a high stakes poker game with a $50,000 buy-in.  He wants in, and she agrees.

They head off to the poker game and Sophie introduces everyone under aliases.  Eliot poses as Brad Mackey, the best horse trainer around, and Nate poses as his boss, Bob Gibson.  Nate is totally digging this whole southern thing, and he plays it well.  Foss insists that they use his deck of cards, and Parker manages to figure out what’s what with the deck on the computer in the next room.  As such, the game doesn’t go well for Foss, who ends up having to put Baltimore into the pot in order to stay in the game.  It comes down to him and Nate (who knows some pretty sweet card tricks, btw), and naturally Nate wins.  Foss throws a hissy fit, and we see a flashback of all the tricky ways in which the team cheated.  And that’s it folks!  The job is done.  See you next week!

But of course, show wants to work my poor little typing fingers to the bone, so it’s not really over.  As Nate’s walking through the parking lot (looking five kinds of badass, I might add), a car pulls up next to him.  It’s Sterling, who got Nate’s old position at IYS after he left.  Sterling is very suspicious, and thinks that Nate is trying to earn his job back.  He also says that he thinks Willy started the fire, even though he really knows that he’s innocent.  Just then Sophie pulls up in her own car.  She and Sterling recognize each other, and Sterling becomes even more suspicious when he realizes that Nate has been palling around with a criminal.  Nate and Sophie realize that they need a new plan.

Apparently Sterling is one badass insurance investigator, as he once spent five days in the trunk of a car just to catch someone.  Ew, how did he potty?  Anyway, Nate says that Sterling is only going to car about messing up whatever he’s doing, so they have to find another way to get the job done.  This new plan involves setting up an actual business for Bob Gibson, so Eliot talks to Aimee and she gets them a stable and some horses.  That doesn’t mean she’s still not royally pissed at him, though.  Meanwhile, Parker and Hardison are in a black van, running interference on Sterling.  His car is automated, so Hardison can control it with his computer.  It goes well for about two seconds until Sterling calls the cops and reports he saw a black van with blood all over the door and screaming coming out of it.  “He’s like Nate,�?Parker says, shocked.  “Evil Nate.�?nbsp; Trufax.

Back at the new stable, Sophie shows Foss around until Nate greets them.  Nate is pretending to about as big an asshole as Foss is, kicking Eliot out of his office and putting a ridiculous price on Baltimore.  He and Sophie leave and Foss starts ranting to Eliot about the horseracing business.  He wants to “modernize the sport�?by making investment portfolios with horses, essentially running small-time players out of the business.  Again, the most important part of this scene is actually that Eliot is laying on the Southern accent.  NNGH.

Eliot reports Foss�?business plans to Nate, Sophie and Aimee.  Aimee is not happy that things have gone from bad to worse, so she and Eliot finally talk about their problems.  He says he only left because she got married, but she says that he was constantly leaving before that.  She asks what reason he could have for leaving and never making contact, and we see a flashback of him as a prisoner, shirtless and beaten up, while his captors ask where the money is.  That is just…I have no words for the hotness.  Thank God it was brief, otherwise my TV would have spontaneously combusted.  As if that wasn’t enough, Eliot tries to kiss Aimee and she pulls away, only to push him against the wall and kiss him senseless.  They move into a stall and stable sex ensues.  WHAT ARE YOU TRYING TO DO TO ME, SHOW?

Back in the barn’s office, Nate and Sophie try to come up with a new plan. Parker and Hardison enter, talking about the pros and cons of Mr. Ed.  I’m with Parker on this one; talking horses that no one else can hear do always end badly.  Hardison says something about Wilber loving Mr. Ed “like a second cousin twice removed�?and suddenly Nate has a plan.  Horses are valued largely based on their bloodlines, so they’re going to make up a lost heir to the best racehorses in history.  The fictional horse would be worth millions, and they’re going to make Foss buy it.

A while later the group meets at the tracks.  Sophie warns Eliot about “chasing the past,�?but he says that she and Nate have been doing a lot of that themselves.  He also calls her “sweetie,�?which is just about the cutest thing I’ve ever heard.  All racehorses have microchips in their necks with an ID number on them.  Hardison can hack in to the IFHA website and change the info under a horses ID number to that of another horse.  They want to use Baltimore in this scheme, but Eliot says it won’t work because the horse still has lung damage from the fire and because they won’t be able to disguise him enough so that Foss won’t recognize him.  This leaves them with no option but stealing a racehorse, and they decide to go after Kentucky Thunder.

Sophie goes to meet Kentucky Thunder’s trainer, telling him that she’s from Sports Illustrated and that they’ve been calling all morning about an interview.  Hardison hacks into the trainer’s phone so that it looks like they really have been calling him, and the trainer leaves Kentucky Thunder unattended.  Back at the tracks, Nate and Hardison wait with some Asian tourists the randomly picked up from the airport.  They’re pretending that the tourists are the horse’s owners.  Eliot drives Foss up to the meeting in a golf cart, asking Foss if he’s ever heard of the Beijing Jockey Club.  It was a prestigious club, but when the Chinese government collapsed all 600 horses there were killed.  “They didn’t kill 600 horses,�?Eliot corrects, pointing at Kentucky Thunder.  “They killed 599.�?nbsp; He clocks the horse’s race time, and Foss seems impressed.  Eliot says that the horse’s name is Fei Kuai, and that the owners plan to sell him to Gibson “for a fraction of what he’s worth.�?nbsp; Foss checks the IFHA website and finds that Fei Kuai is related to a number of famous horses, including Secretariat.

Hardison found that, with the money from his investors, Foss is in control of $12 million.  Sophie manipulates him into spending all of it on the horse. The tourists take a picture with Foss, and everything seems to be going well until she goes to the bathroom.  While she’s there she meets with Sterling and gives him the camera.  It’s got a video on it of Nate and Sophie working the con.  Oh, this doesn’t look good.

A bit later, Nate’s drinking (per usual) when Sterling walks into his barn office.  He finds it hard to believe that Nate’s become a common criminal, though given the man’s self-destructive past it shouldn’t come as a surprise.  Nate correctly assumes that Sterling didn’t tell Foss about the con because he didn’t want to risk the insurance investigation.  The next day they face even more problems, sine Kentucky Thunder was sent to a stud farm and they can’t substitute another horse in the sale.  Nate wants to change the plan but Eliot says they have to try, and Sophie defends him when Nate accuses him of just trying to prove something to Aimee.  They all have something to prove.  Nate agrees to stick with the plan and assumes that Sophie has something to prove to him, and she coolly corrects him.  Go on, girl! 

Parker, Hardison, Eliot, and Aimee arrive at the stud farm.  There’s no way in except for Parker to go in through the vents and open the door from the inside.  She’s not happy about this plan, because of the morbid fear of horses and whatnot, but she does it anyway when Aimee assures her that she won’t have to make contact with any of the horses.  She crawls through the vent, mocking her colleagues before she realizes that they can still hear her, and eventually makes it to the back room.  Unfortunately, Kentucky Thunder is there waiting for her.  She stands still in complete terror for a moment before tentatively petting the horse.  When she finally opens the door, she seems to have largely overcome her fear, saying that “horses much less murderous than I originally thought.�?nbsp; Hee.

Back at the stables, Kitty leads Foss to a stall with Fei Kuai’s name on it.  The horse recovery team is almost back to the stables when they encounter a car accident.  There’s no way they’ll be able to get around it, and they’ll probably go to jail for stealing Kentucky Thunder.  Eliot is so not down with that, so he gets Kentucky Thunder out of the trailer and rides him, bareback, to the stables.  This is both relevant to my interests and very uncomfortably-looking.  Big ups to Christian Kane for actually doing it.  He arrives just as Nate is about to pull the plug, saying “the pony express is never late.�?nbsp; He quickly brings the horse around back and Sophie takes Foss to meet with him.  After checking the microchip Foss pays the $12 million.  He then leads his investors to Fei Kuai’s stall.  Sterling is with him, and he informs Foss that Fei Kuai is actually Kentucky Thunder.  When Kentucky Thunder’s trainer sees the horse, though, he says that it’s not his.  They scan the horse and find that it’s actually Baltimore.  We get a flashback of the team switching the name plates and numbers of a few stalls so that Foss would get turned around and wouldn’t question the location of his new acquisition.  Since Foss tried to have Baltimore insured for $12 million when he was only insured for $200,000 before, he’s committed insurance fraud.  That means the company can deny his claim, leaving him on the hook for the fire and for the $10 million he owes the investors.  When all is said and done, Foss is left flat broke.

Nate and Elliot meet with Willy again, giving him ownership of Baltimore and the $12 million Foss paid for Fei Kuai.  Out of gratitude, Willy promises to name his next horse Mr. Ford.  Aw.  Willy and Nate leave the office so Eliot and Aimee can say goodbye (not like that!).  Aimee thinks that Eliot will never settle down, but she’s “glad [he] found a family.�?nbsp; Eliot is a little shocked that she considers the team his family, but gets over it enough to kiss her goodbye.  As they do, one of Christian Kane’s songs plays.  He’s got a pretty good voice.

Nate arrives back at Leverage headquarters and finds Sterling waiting for him.  Each helped the other in achieving what he set out to do, so they come to a temporary truce.  Sterling still has some problems with Nate, as he thinks Nate believes he’s above the law.  “I like to think of it as I pick up where the law leaves off,�?Nate tells him.  Both pledge to take names the next time they meet, thus establishing a season-long rivalry arc.  I don’t know about you guys, but I can’t wait to see how it plays out.


Reply
 Message 18 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/21/2008 2:32 PM

Leverage

The Miracle Job, airing December 23, offers big insights into the main characters�?back stories. Case in point: The beating of a priest prompts a discussion of faith - a concept in which Nathan Ford (Timothy Hutton) proves to be surprisingly well-versed. We also learn more about the past captivity of Christian Kane’s Eliot.

The Miracle Job �?Premieres Tuesday, December 23, at 10 p.m. (ET/PT)
When the downtown church of Nate’s former priest �?and childhood best friend �?is about to be razed by a profiteering real estate developer, the Leverage team must steal a miracle in order to save it. But as the story progresses, the question arises as to who exactly is saving whom.

The Wedding Job �?Premieres Tuesday, December 30, at 10 p.m. (ET/PT)
To retrieve the money promised to the family of an innocent man who took the fall for a Mafia boss, the Leverage team poses as the wedding planners for the don’s only daughter on her big day. Somehow, the team must manage to pull off a wedding in the midst of pulling off the heist, all while avoiding a dangerous Russian mobster known as The Butcher.

The Stork Job �?Premieres Tuesday, January 6, at 10 p.m. (ET/PT)
The Leverage crew goes after a Serbian adoption agency that’s scamming money from desperate American couples looking to adopt needy war orphans. To entrap the ringleader and rescue the children, the team must hijack the local production of an independent horror movie.

The Bank Shot Job �?Premieres Tuesday, January 13, at 10 p.m. (ET/PT)
While working a con on a corrupt county judge in an outlying desert town, the team gets caught in the middle of a bank robbery, and Nate and Sophie are taken as hostages, along with their mark. Now, they must not only find a way to keep their own con going without being discovered, but also figure out how to help two very desperate �?and very amateur �?armed robbers.

The Mile High Job �?Premieres Tuesday, January 20, at 10 p.m. (ET/PT)
The Leverage team attempts to expose a conglomerate’s cover-up of their toxic fertilizer, which has resulted in the death of a young girl. But the CEO has put all of the damning evidence on a plane to the Cayman Islands. The team races to catch the flight but, once airborne, they discover that the CEO’s intentions are far more sinister and that to avenge one life they’ll have to save their own.

The Snow Job �?Premieres Tuesday, January 27, at 10 p.m. (ET/PT)
The Leverage team helps a beleaguered National Guardsman to find justice against the unscrupulous construction firm that foreclosed on his home. Knowing all too well what it feels like to fail as a father, Nate seeks solace in the bottle, putting the team �?and the job �?in serious jeopardy.

The Juror #6 Job �?Premieres Tuesday, February 3, at 10 p.m. (ET/PT)
When Parker attends jury duty in order to keep up the legitimacy of one of her aliases, she notices some strange things at the trial. It seems someone is trying to buy a favorable verdict, but not if the Leverage team can steal it first.

The 12-Step Job �?Premieres Tuesday, February 10, at 10 p.m. (ET/PT)
The team targets an investment broker who swindled a charity. To discover where the money is hidden, they trick the alcoholic financier into entering a rehab facility. There, they learn their mark is not the terrible person he at first appeared and that rehab may be exactly the place one of them needs to be.

The First David Job �?Premieres Tuesday, February 17, at 10 p.m. (ET/PT)
For Nate’s benefit, the team targets the CEO of the company that denied Nate’s son’s medical treatment and allowed him to die. All they have to do is steal Blackpoole’s prized Michelangelo maquette and sell it back to him as its twin. All goes according to plan until Sterling reappears.

The Second David Job �?Premieres Tuesday, February 24, at 10 p.m. (ET/PT)
Nate comes out of hiding to directly challenge Sterling and Blackpoole. This time, he’s going to steal both David statuettes right out from under their noses. But Nate’s bigger challenge is to get his fractured team to work together again. The stakes have never been higher. Either Nate gets his vengeance, or his friends go to jail for the rest of their lives.


Reply
 Message 19 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/26/2008 3:03 PM

Leverage: The Miracle Job (Episode 104)

First and foremost, Merry Christmas/Chanukah/Yule/random day in December!  I hope everyone had a great day!

This week’s episode is brought to you buy the Catholic Church.  Here there be shameless commercialism, gang violence, and false miracles, but the real tragedy is that we have an entire episode about a church and somehow none of our boys dress up like priests.  WTF, show?  Wasted opportunity much?

A priest, Father Paul, and a woman walk away from St. Nicolas�?Church, discussing an upcoming meeting with the City Council.  It seems the city wants to close down the church, and an embittered Fr. Paul practices a speech he will give begging the Council to leave the church alone.  Just then a group of thugs comes up behind them and start attacking the father.  Oh, they are going to be in trouble when they die!  I once had to say three Hail Mary’s for arguing with my sister, so I don’t even want to know what sort of prayer it’s going to take to cleanse these souls.  Fr. Paul manages to give one of the thugs a solid punch to the shoulder before they take him down.  The woman screams for help and the thugs finally walk away, leaving Fr. Paul semi-conscious on the ground.

At Leverage headquarters, Eliot and Hardison are desperately trying to avoid Sophie.  When she finds them and thanks them for attending her play the previous night, they stutter out lies about how amazing she was.  How adorable is it that these guys go to her plays?  They all seem to have developed genuine friendships through Leverage, and I couldn’t love it more if I tried.  Parker also gives her review of the play.  The good news: it was awesome in the way that a horror movie is awesome; the bad news: it was Death of a Salesman.  Wow, this theatre must be really crappy if it had to a) hire Sophie to play the male lead and b) hire Sophie at all.  The second Sophie leaves the room Eliot confesses that last night was “the worst night of [his] life, though Hardison thinks he’s exaggerating.  We get a brief flashback of someone playing Russian Roulette with Eliot’s head, but when he returns to the present he still insists that the play was worth.  Based on our past experiences with Sophie’s acting, I can believe it.  Sophie goes into Geek Central to see Nate, who immediately praises her performance and accidentally reveals that he didn’t really see the show.  Just when they’re all about to get down to business, Nate gets a call from someone named Maggie.  Sophie looks very uncomfortable, and informs the team that Maggie is Nate’s ex-wife.

Maggie also seems to be a parishioner at St. Nicolas�? because she’s calling in regards to the attack on Fr. Paul.  Nate visits Fr. Paul in his hospital room after reading the police report of the incident.  It’s uncomfortable for him, because he cannot separate hospitals from memories of his son’s death.  Neither man believes that the attack was unrelated to Fr. Paul’s meeting with the City Council.  Regardless, Fr. Paul has resigned himself to the church’s closing and asks Nate to attend his last mass.  “It’s not going to be your last mass,�?Nate tells him, and he leaves to go “help God’s plan along.�?/P>

The team gathers in St. Nicolas�?Church.  There is a fairly large statue of St. Nicolas at the back of the church, and Parker is convinced that he’s actually Santa.  Hee.  It’s pretty clear to everyone that whoever attacked Fr. Paul did so to make sure that nothing stopped the church’s closing.  Hardison informs the group that a company called Kennedy Corp. bought the church via a number of shell companies.  Once everyone has their assigned jobs, Nate has a brief flashback of his son’s baptism in the same church.  The child’s mother and godparents are mysteriously absent from the flashback, but whatever.  When we get back to the present Nate tells Sophie that Fr. Paul is an old friend, and it is suddenly apparent just how important this case is to him.

Eliot and Hardison walk through a tunnel to lure a local gun.  This all seems pretty par for the course for Eliot, but Hardison is about one sudden movement from shitting his pants.  The gang shows up and the leader tries to intimidate Eliot by showing him the gun tucking in his pants (not like that!)  Eliot quickly responds by grabbing the gun, removing the safety and keeping in pointed at the leader’s penis.  Awesome.  Another thug immediately holds a gun about an inch from Eliot’s face.  “See, this is why I don’t like guns,�?Eliot says.  “They have a specific range of efficacy.  Most guys make one mistake; they get too close.�?nbsp; With that, he quickly knocks the gun out of the would-be shooter’s hand and knocks the man to the ground with a fierce headbutt.  That whole “range of efficacy�?thing may be true, but I don’t buy it as the only reason Eliot doesn’t like guns.  There is most definitely some gun-related trauma in this guy’s past.  In any case, Eliot asks who beat Fr. Paul up, but the leader insists that they would never hurt a priest.  One gang member is hanging back, looking generally suspicious.  Hardison pushes him to the ground and the main cries out in the pain when his shoulder is jostled, revealing that he was the thug Fr. Paul punched.  The gang leader doesn’t take kindly to this news.  He holds his gun at the thug until the man tells Eliot and Hardison everything he knows.  All he can give them is the number of the person who hired him for the job, but that’s all Hardison needs.

The team gathers at Geek Central, where Hardison informs them that the call came from a pay phone.  This pay phone is located outside of a luxury apartment complex owned by Andrew Grant, who probably owns the shell companies that bought the church.  The man is “a media whore�?who constantly goes through publicists and who takes a boatload of anti-anxiety pills.  The ribbon cutting of the apartment complex is the next day, so the team plans to make their move then.

Over at the apartment complex, things are kind of a mess.  Grant (a hilarious Scott Lowell) verbally abuses his assistant Tomas, blaming him for pretty much everything that has been going wrong.  Sophie approaches him as a reporter, but he tells her to go down to the press conference.  Eliot, Hardison, and Parker are all disguised as construction workers.  Parker knocks into him and sneakily switches his anti-anxiety medication with another pill bottle.  A moment later Eliot flips Tomas with a wheel barrel, effectively separating him from his boss.  Meanwhile, Grant and Sophie get on an elevator to the ground floor.  Mid-trip the elevator stops, and Grant freaks out.  He pops several of his pills, not knowing that Parker replaced them with speed.  Yes, speed.  Because Parker is awesome.  The results are predicable hilarious.  Grant has an epic freak out, screaming that he’s “going to fire every one of you!�?nbsp; Naturally, the press can hear him, and Grant starts freaking out about how he’s just ruined his reputation.  Sophie quickly solves this problem by letting Grant pick her up and tell the press that she fainted.  While the paramedics attend to her, Grant whispers that he’ll give her an interview.

When Sophie meets Grant in his office for said interview, he has a little surprise for her; he’s making her his new publicist.  She takes the job on the condition that there be no secrets between them, and he agrees.  As a result, the team learns that Grant plans to build a “lifestyle center�?on the site of the church. They discuss it back at Geek Central; Grant doesn’t want anyone to know that he had a hand in closing the church, but he’s made sure that nothing will stand in the way of his building plans.  In light of this discovery, they realize that three days is not enough time to pull off the con.  The only thing they can do is try to buy themselves more time, and the only way to do that is to fake a miracle.  Nate knows an awful lot about miracles, as he once went to seminary school.  You know, for some reason I have no problem seeing him in seminary school.  It just seems to fit with the character.  The team is quite a bit more surprised than I am, especially since faking a miracle will “put them in mortal sin territory.�?nbsp; The Catholic Church also says that stealing and lying are mortal sins, so you guys are already down for time in the pit.  Plus, all you have to do to get rid of a mortal sin is go to confession, so it’s really not all that “mortal�?to begin with.  Get a new argument, guys. 

The team eventually agrees to go along with the plan.  Parker poses as a nurse and fakes Fr. Paul’s test results to keep him in the hospital and away from the church.  Sophie leaks Grant’s plans to build the new mall, giving him a ton of negative press.  When she talks to Tomas about the plans, he says that Grant’s plans will “sweep out the gangs,�?but there seems to be an undercurrent of nostalgia for his hometown in his words.  Grant doesn’t share this nostalgia, and is simply distraught about the bad pr.  Sophie suggests that they hold a press conference at the church about how his mall will open “new opportunities for all.�?nbsp; He loves the idea, and immediately restarts his verbal abuse on Tomas.

Back at Leverage headquarters, Hardison has made quite a few replicas of the St. Nicolas statue we saw earlier.  He’s got a bunch of different “miracles�?prepared, including bleeding ears and a “stigmata paintball gun.�?Too bad he can’t aim for shit, as Eliot happily points out to him.  “Everybody can’t be Eliot,�?Hardison replies testily, as Parker warns them not to “melt Santa.�?I love them all.  Nate meets Sophie in another room, and tells him that all systems are a go.  She also asks how talking to his ex-wife was.  “Strange,�?he says, and he confesses that he still feels guilty about something unnamed.  “You never cheated on her, Nate,�?Sophie says.  “Tempted,�?Nate corrects her, and it’s blindingly clear that Sophie is the temptress in question.  They briefly talk about their relationship then and now, and gaze longingly at one another before Sophie tells Nate not to take too long figuring out exactly where he stands with her.  FYI, next to the dictionary entry for “eye-fucking�?there is a screencap from this scene.

Over at the church, Grant is giving his press conference when the woman from the opening scene interrupts him.  She declares that there’s a miracle in the church, and everyone goes inside to see the statue of St. Nicolas crying what appear to be real tears.  Outside, Hardison reveals that he did some fancy chemistry thing that makes the statue cry whenever someone lights a candle.  Alrightly then.  The church is absolutely swarming with people, and the team realizes that they might not be able to control the ramifications of what they’ve done.  Despite everyone’s doubts, Nate is feeling pretty good about the whole situation.  That is, until Fr. Paul gets a hold of him.  The good father is pretty pissed about the whole situation, as he’s guessed that Nate planted a fake miracle.  Nate refuses to tell him anything, but assures him he’s “got it covered.�?nbsp; Fr. Paul does not look reassured.

Meanwhile, Sophie meets with Grant at his office.  He’s actually not freaking out, and claims that the miracle gave him “a crisis of conscience.�?nbsp; For a moment everything seems to be looking up, but then Grant reveals that this crisis has inspired him to build Bibletopia at the site of the church.  It will include the statue, food courts, St. Nicolas bobbleheads, and a sea that parts every half hour.  Perhaps this reaction is sacrilegious, but goddamn.  That is some crazy shit right there.  And it’s pretty fucking improbable, since the Catholic Church would almost certainly find a way to seize the site and declare it a shrine if they found that the miracle was legit.  They don’t mess around with this stuff.  Of course, Grant doesn’t actually think that the miracle is real, which means that when the inevitable investigation happens and the Church debunks the statue, his whole Bibletopia idea won’t be worth a cent.  But whatever, apparently this is a legitimate threat, so just go with it.

It’s still five kinds of crazy over at the church.  The team is just about out of idea when the whole situation gets even worse; investigators from the Vatican arrive.  Everyone except Sophie and Nate book it at that point, because they are seriously in some deep shit now.  If the Vatican finds that the statue is a fraud they’ll blame Fr. Paul, so Nate is going to have to undo the con.  A more immediate concern presents itself when Fr. Paul tries to confess the fraud to the visiting priests.  Nate drags him into a confessional and starts to explain the fraud, but Fr. Paul won’t let him until he phrases it as a confession.  He isn’t repentant for what he’s done because he did everything for the right reasons, but Fr. Paul doesn’t buy the whole “ends justify the means�?thing.  He also thinks that Nate’s actions border on suicidal, and that maybe his true mission isn’t to save the church but to save his friend. 

Grant arrives at the church and is actually pleased to see that the Vatican has arrived.  He sees the situation as win/win for him, since he’ll look good if the miracle is a fraud and he’ll get the land deed ripped out of his hands by the Pope to open Bibletopia if it’s declared real.  Again, whatever.  While Grant schmoozes with the Vatican, Tomas gets a contemplative look on his face and decides to go to confession.  Looks like it’s only a matter of time before that shoe drops. 

Commercials!  Does anyone else keep thinking that the lady in the HP commercial is Parker until they reveal that it’s Fergie?  Nope, just me?  Okay them, moving on!

The team is pretty much freaking out, since any scientific test will prove that the statue isn’t crying real tears.  Isn’t any form of liquid falling from the eyes of a statue pretty miraculous?  Since they can’t just steal the statue without making Fr. Paul look guilty, Nate wants to make it “miraculously disappear�?in the middle of mass the next day.  Everyone thinks he’s crazy, but the man cannot be stopped.  Cut to the mass, and holy crap, I can still recite the entire thing by memory.  Get out of my head, Catholic school!  While Fr. Paul is giving his homily about how miracles shouldn’t be necessary to inspire faith, Parker repels down the back of the church and grabs the statue (it’s no longer too heavy for her to lift, since they already replaced the real one with a light one Hardison made earlier).  A little girl sees her do it, but she thinks that Parker is an angel, and declares this believe when everyone else notices that the statue is gone a moment later.  Fr. Paul notices Parker standing outside, and declares to everyone that he knows what actually happen.  He leads them to a van outside, declaring that “there is no miracle�?as he opens its doors to reveal the real statue.  Hardison exits the van with a registration saying that it’s owned by Grant.  Grant immediately says that he’s being framed and that Tomas can vouch for him.  Of course, he doesn’t know about Tomas�?recent crisis of conscience.  We get a flashback to Tomas�?time in the confessional, in which Nate possess as a priest and tells him to confess everything.  When we return to the present Tomas does just that.  Sophie finally reveals herself as a fraud to him, and as he’s carted off by the police he screams “are you even British?�?nbsp; Awesome.

A bit later, Nate and Fr. Paul meet up inside of the church.  Nate says that Fr. Paul broke the seal of the confessional, doing the wrong thing for the right reason, and the father can’t really argue.  He says that Nate had better come to the next service, and Nate does not commit either way.  Fr. Paul leaves and Nate lights a memorial candle before joining the rest of the team in front of the returned statue.  When Parker reasserts her believe that St. Nicolas is Santa, Sophie reveals that he’s actually the patron saint of thieves, and the team leaves with the satisfaction of a job well done.


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 Message 20 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/31/2008 4:00 PM

(Season 1, Episode 5 - “The Bank Shot Job�?

Hrmmmm �? This episode was originally supposed to be aired as the seventh episode on January 13. I was really looking forward to “The Wedding Job,�?which was slated for tonight. It sounded like a fun romp, with the gang undercover as wedding planners. Did I get my fun romp anyway?

By the end of the episode, I definitely did; this one started off really slow for me, though. I missed the flashbacks of the individual team members in their past roles, and I craved more Eliot.

I think being on the same set for most of the action hurt this episode a bit. Parker and Hardison were fun as the FBI agents, but still not very quotable, which is something that I normally love about this show. I also felt like the team should be more clever than to let some hick judge figure them out and hold Nate and Sophie at gunpoint. Perhaps the helplessness was there to fool us viewers, because we did get a particularly clever ending for this episode.

You can always count on Leverage to throw in the clever, and you’ve got to watch closely or you’ll miss it; you miss it, you won’t get this show. A few from this episode:

  • Parker and Hardison posing as FBI agents Leonard and Elmore. Get it? Elmore Leonard wrote Out of Sight, Get Shorty and other crime novels.
  • The jokes about the one-horse town brought a smile to my face, especially the hick hanging out of the top story window with a shot gun: their sharp-shooter.
  • It would have been easy to miss the funny list of demands Hardison made up, but I caught not only the pizzas, but the three copies of the latest Hall & Oates CD and an Etch-a-Sketch.
  • “I’m a thief.�?�?Sophie, to Derek, the bank robber Dad
    “OK �?I don’t know what to do with that.�?�?Derek

“OK, the fun is about to begin,�?I thought, when Parker was going to rob the bank that was in the process of being robbed. I was disappointed that they didn’t capitalize on this more, though; it was so quick and not used to its fullest potential, something the show has been so good at up until this point.

Eliot kicking the crap out of the kidnappers with his usual speed and precision did redeem this episode somewhat, and the mother’s “Who are you?�?was priceless. I just didn’t have enough Eliot this week, though, and I missed especially his flashbacks, which usually are a good example of the random funny Leverage does so well.

Heck, Buffy had “Inca Mummy Girl�?in season one, and even “Double Meat Palace�?in season six; Supernatural had “Bugs;�?I guess we can give Leverage a little leeway with “The Bank Shot Job�?and realize that the greatest of the greats have had their stinkers, and this really wasn’t a stinker, per se, just their weakest episode to date and not up to the standards that the show has set for itself with the first four episodes.

Sure, it wrapped itself up pretty well �?OK, really well �?(Hardison framing the judge with one simple kneel was classic, not to mention the meth in the briefcase and Parker’s and Eliot’s switcheroo with Derek and Michael), but it was such a slow start, with so many scenes that they didn’t capitalize on, that it simply fell short. I admit, the reveals at the end of how they pulled the frame-up job off had me laughing out loud with appreciation, more so than some of the other episodes where the procedure was more obvious.

So I wonder why TPTB decided to rearrange the order of the episodes. It looks like they’ll be airing the scheduled episode, “The Stork Job,�?next week, and I do hope we get to see “The Wedding Job�?at some point.


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 Message 21 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 12/31/2008 4:15 PM

If your a regular reader of Leverage, you already know that we at the TV Legion love the show. Every week the show has been entertaining. The show takes a tried formula (the heist genre) and makes it unique and original every single week. Add in the fact that every single character is unique and interesting and I don’t know how you could not love this show. For those of you who have TNT and aren’t watching Leverage, watch it immediately. There are few better shows on television today. As far as this week’s episode is concerned, it was probably the second weakest episode of the series but it showed why Leverage is still so great.

Looking around the web I am seeing that a lot of people thought this was the worst episode of the series. I have to disagree with that fact. While the episode started off pretty slow, I don’t know how you couldn’t have been satisfied with the ending. The show continued to have it’s witty writing and it was still entertaining.

So let’s get into the episode itself. This week the gang decides to rob a corrupt judge that takes bribes in order to let people get off for their crimes. The gang is about to finish their heist when their plan is foiled when the bank they are currently in is robbed (isn’t that just convenient). While you would think that would get the gang down, it actually give them an opportunity to frame the judge and also bring some kidnappers to justice.

So the robbers end up being good guys that only rob the bank in order to get enough money to pay off a ransom for the safe return of their mother/wife. Nathan and Sophie help the robbers from the outside while Eliot, Parker, and Alec help from the outside. Eliot beats up some meth heads in his normal awesome fashion. Eliot and Parker pretend to be FBI agents so they can handle all the hostage negotiations. They also provided probably the funniest part of the episode when Eliot listed off the bank robber’s demands which included pizza, 4 Hall and Oates cds, an etch a sketch, and some barbecuing equipment for a tailgate. While this was a hick town (their SWAT sharpshooter looked like a guy just taken off the street), I want to know how in the world they didn’t think there was anything up with the demands. I guess they think robbers have enough time to tailgate while robbing a bank.

Eventually the corrupt judge finds out that the gang is trying to hustle them so he ends up getting the robbers gun and end up becoming the hostage taker. I don’t know how a judge wouldn’t realize that this is a bad idea. The gang ends up framing him for the whole robbery in a hilarious manner that makes him look crazy as well.

The son and father are reunited with their mother/wife and everyone is happy. The corrupt judge will also be spending quite a long time in prison.

Quotes:

Alec: “This is so not good.�?/P>

Nathan: “Have you ever robbed a bank that is being robbed?�?BR>Parker: “There’s always a first time.�?/P>

Eliot: “Because meth heads are so punctual.�?/P>


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 Message 22 of 22 in Discussion 
From: MSN NicknameRichardakatickSent: 1/2/2009 3:59 PM

Leverage: The Bank Shot Job (Episode 105)

Happy New Year, everyone!  I hope you’re all having a great holiday.  Anyone have any resolutions?  I have a few, including 1) learning an instrument, 2) participating in some sort of underground revolution, and 3) never, EVER agreeing to recap a midseason show again.  Because while every other recapper’s shows are on hiatus, allowing them to have a lovely break for the holidays, Leverage never fails to keep me busy.  Show, I love you dearly, but I think we need a trial separation.  You’re all up in my personal space.

It’s a swelteringly hot day in the small town of Juan, Texas.  God, I’m jealous.  It’s about thirty degrees up in these parts and I’m starting to miss being able to feel my fingers and toes.  Sophie’s disguised herself as a bank employee and is sitting at a desk when Nate enters the bank.  He’s dressed in cowboy chic, and boy does he make it work.  Another man enters with him, and a pretty young teller addresses him as Judge Brown.  Because the Judge is the asshole of the week, he gives her a firm smack on the ass.  Turns out she’s only nineteen, and the Judge wishes she was a bit younger.  Oh, eww.  This is a basic cable show, buddy, so we’ll have none of that.  A bank worker takes Nate and Judge Pedophile into a back room and gives them a safety deposit box before the Judge rudely tells him to GTFO.  The box is filled with money, and Nate packs it away in a briefcase.

Outside of the bank, Parker and Hardison are destroying papers in the back of an unmarked van.  Hardison is complaining about how long the current con is taking and about the intense heat.  You want to trade places, Hardison?  Because methinks that one New England winter will make you want to stay in Texas forever.  Hardison is also unhappy with the internet service in Juan, since it took him “almost an hour to torrent the last episode of Doctor Who.�?nbsp; Hardison’s a Whovian, y’all!  I wonder how many nights he’s cried himself to sleep since David Tennant announced his departure from the show.  Parker scolds Hardison about downloading illegally (which, hypocritical much?) before setting a trash can filled with papers on fire and happily watching the flame.  Hardison contacts Eliot via their super stealthy ear pieces, and Eliot says that he’s almost finished cleaning out the headquarters they used for this con.  He’s excited that they’re taking the Judge for every penny that he’s worth, but he wishes they could do more to hurt him.  Oh, just you wait, my friend.  Just you wait.

Back in the bank, Nate and the Judge are a few feet from the door when Nate suddenly stops and looks around.  He notices a man with a gun in his bag, and says “we gotta get out of here�?to Sophie over their earpieces.  She gets up, but by then it’s too late.  The man pulls out the gun, and a teenage boy with him pulls out another.  They announce that they’re robbing in the bank and instruct all of the hostages to get on the floor and stay down.  The rest of the team hear the announcement through the earpieces and are none too pleased with the turn of events.  Hardison drives the very suspicious van away while wondering why Nate didn’t just leave when he had the chance.  “Don’t be an idiot, Hardison!�?Parker says.  “Sophie was still in there.�?

The two robbers have taken all the money from behind the bank’s counter, but it’s not enough for whatever they need.  The older robber tells the pretty teller from before to open the safe, but she can’t because she’s not a manager and they can only be unlocked at certain times of the day.  Judge Greedy slides the briefcase under a nearby desk so the robbers don’t get any of his money.  Man has his priorities, after all.  Eliot arrives and pushes past the police line, and it looks like he found his flat-iron again.  His hair flutters purposefully in the breeze as he asks Nate what to do via the earpiece.  Under the ruse of talking to the Judge, Nate tells Eliot that there are two robbers, that neither of them seems to know what they’re doing, and that he doesn’t want Eliot to try and enter the bank.  Eliot says “you’re call, boss,�?and it’s kind of amazing how quickly these guys went from solo players to being Nate’s men.  They really, really seem to trust him.

Despite Nate’s advice, Judge Self-Important tries to talk the gun men down.  He says that he make all of the charges they’re facing go away.  “The truth is what I say it is,�?he says.  “Whatever story I make up about what happened in here, these little people will tell the cops.�?nbsp; See, if someone addressed me as a “little person,�?I would automatically say the opposite of what he wanted me to just to spite him.  But perhaps the cold just makes us northerners angry and bitter like that.  If the gunman’s completely weather-inappropriate flannel shirt is any indication, he’s got a bit of northern blood in him as well, and he tells the Judge to get his ass back on the ground.

The working plan is that the team has to “be the police,�?so Parker and Hardison disguise themselves as FBI agents.  Parker is disgusted by the ineptitude of the bank robbers, since it would only take her 42 seconds to do the same job.  They introduce themselves to Sheriff Hastings, and Hardison explains their quick arrival time on a local chupacabra investigation.  I bet Hardison would like that other show I recap.  They learn that, not only does Juan not have a SWAT team, but their secret weapon is a guy named Virgil who’s got a hunting rifle and is waiting Lee Harvey Oswald-style in a nearby building.  Well, at least it shouldn’t be too hard to outwit these guys.

Inside the bank, the robbers finally decide to ask for the manager.  Why they didn’t ask, say, the second that they found out they needed a manager to open the safe is beyond me.  Sophie puts on an American accent and claims to be the manager, and the real bank employees have no problem letting her put herself in danger.  The older gunman takes her to a back room so she can try to open the safe.  Meanwhile, Nate asks Hardison what he’s found out about the gunmen.  Turns out the older guy is Derrick Clark, a retired military officer.  Derrick cleared out his bank account that morning, which doesn’t explain why he’s robbing the bank now.  Eliot takes off towards Derrick’s address.

Things get a bit more complicated when the police cut power to the bank, effectively cutting off the fans and air conditioning.  Sucks to be you guys!  When Hardison and Parker ask why they did this, Sheriff Hastings said that his deputy took an online course on crisis management, complete with certificates.  “Magic kits come with certificates,�?Hardison says testily.  Does that make it cool for kids to saw their parents in half?�?nbsp; Hee!  When the Sheriff says that they’re just trying to do everything “by the book,�?Hardison tears up and says that “the book got a good man killed!�?nbsp; He walks off, too emotional to keep talking, and Parker lets the police know that his ex-partner met a violent end thanks to the book and a propeller.  Hah!  FBI Hardison and Parker are pretty funny.

While she tries to open the safe, Sophie asks Derrick why he and his son are doing this.  When he figures out that she doesn’t know the code she drops the fake accent and says that she just wants to help.  In the main room, Derrick’s son gets a call on his cell phone.  From the side of the conversation that we hear it’s pretty clear that they’re trying to get the money for ransom.  Speaking of which, Eliot notices signs of a struggle at the Clark household.  He tells Nate this information and that the kid’s name is Michael.  Nate gets up and walks over to Michael, who seriously twitchy right now.  He asks if Michael knows who took her. Michael says that it’s all his fault, since he was doing favors and drug runs for meth dealers.  Well, that certainly explains the twitchiness.  Last week a shipment was stolen and the dealers think that Michael stole the drugs (which he didn’t).  They said he had to either return the meth or have $100,000 by five o’clock today or they’d kill his mom.  Nate calmly insists that he can help, since he’s “got people on the outside.�?nbsp; Sophie is having the same argument, but with less success.  She goes the complete honestly route, admitting that she’s a thief and that her team was trying to rip off the Judge.  Turns out he’s completely corrupt in addition to being an asshole; he’s been taken bribes from local criminals and recently freed a man who killed a local girl.  The money from this scam was supposed to go to the girl’s family.  Now they’re going to use it to save Mrs. Clark.  The quickly plan for Parker to go into the bank through the night deposit shoot, get the money, give it to Eliot and have him deliver it to the drug dealers.  The only problem is that the entry to the shoot is in an alley that’s visible to the police.  Actually, that’s not completely true, as Hardison informs us that the real FBI will be there in about 45 minutes.  They’ve got to do this job and do it fast.

Derrick drags Sophie back into the room, yelling at everyone to get back on the ground and shut up.  For a minute it looks like he’s decided not to trust her, but then he stealthily kicks the briefcase out from under the desk and into the area behind him.  Outside, Hardison pretends to get a call from the robbers.  He hangs up after about three seconds and then lets the police know that the robbers have a long list of demands that could not possibly have been communicated in the short time span of the phone call.  These cops are idiots.  While he gives the list of demands—which  includes twelve pizzas with various toppings, an Etch A Sketch (“because someone in there likes to squiggle�?, and copies of the latest Hall and Oates CD—Parker  makes her way into the bank.  Once she makes it through the shoot Derrick gives her the briefcase, impressing that his wife’s life is on the line.  “Sometimes bad guys and the only good guys you get,�?she tells him, but he still seems hesitant to trust her.  Back in the main room, Judge Doesn’t-Listen-To-Reason actually holds up a white handkerchief and tells Michael that he’ll lone him the money he needs.  He goes for the briefcase to show that he means what he says, but of course the briefcase is gone.  Michael gets a call and turns to ask Nate for advice, and while his back is turned the Judge grabs him and twists the arm with the gun behind his back.  In the struggle the gun goes off and Nate is shot is his right shoulder.  Derrick runs back into the room and enters a standoff with the Judge, who now has the gun pointed at Michael, while Sophie cradles Nate in a panic.

Outside, the cops hear the gunshot and draw their weapons.  Hardison gets them to wait before they try and enter the bank, all the while listening to his earpiece to try and figure out what’s going on.  The Judge heard Sophie scream Nate’s name when he was shot, so he now knows that Nate and Sophie were trying to rip him off.  Only he also thinks that the Clarks are in on it as well, and that the bank robbery was an elaborate ruse used to get his money.  Derrick tells him about the kidnapping and the ransom, but Judge I’ll-Kill-All-Y’All-Bitches doesn’t believe him and orders him to hand over his gun.  Derrick has no choice but to comply.  Sophie begs him to let Nate get to a hospital, but the Judge won’t let anyone out until he gets his money back.

Speaking of his money, it’s currently sitting in the middle of a road, being watched by Eliot while he waits for the drug dealers to pick it up.  Sophie tells the Judge that it’s not in the bank anymore, effectively letting him know that they have people on the outside.  He finds Nate and Sophie’s earpieces and destroys them, meaning it’s now up to the rest of the team to save the day.  Once the Judge walks away Sophie tearfully berates Nate for not walking out when he had the chance, saying that she would have been fine if he’d left her there.  You know, I don’t usually ship cannon couples, but I think I’m on board with this one.  They just have such an interesting relationship.

Since they have to get Nate out of the bank ASAP, the remaining team members need to get the briefcase back.  Luckily, Eliot and his transgenic strength Manticore martial arts training fearsome hair are on the job.  He takes down the dealers and frees Mrs. Clark without breaking a sweat.  At the bank, the pizza arrives, and Hardison brings it to the door.  Nate lets the Judge know that the money will be in the pizza boxes, so the Judge lets Hardison and two EMTs into the bank.  When Hardison starts treating the Judge like a deranged bank robber, Judge Deluded acts surprised and tries to say that he’s not the criminal here.  After all, it’s not like he’s holding multiple guns and preventing a wounded man from getting medical attention or anything.  Hardison calls for the police and they surround the Judge.  He tries to explain the situation, but when he looks over the pizza box full of money is gone.  The briefcase is there instead, and filled with meth.  Judge Royally-Fucked rushes over to Derrick and Michael, both of whom are now wearing hats, but when he removes the hats we see that it’s really Eliot and Parker.  A flashback shows us that they were the EMTs, and that they quickly switched clothes with Derrick and Michael while the police showdown was going on.  They load Nate into an ambulance and drive away, and we see that Mrs. Clark is the ambulance driver.  At the bank the team does damage control, telling the police how the Judge was the one who held up the bank from the start.  When the other hostages are asked about it, they turn on the Judge, tired of his demeaning ways and general asshole-ery.  When the police go to look at the tapes, Hardison has already doctored them to make it look like the Judge was responsible for the hold-up from the start.  Suck on that, bitch!

The team finally leaves, Hardison pretending to pass the case off to the real FBI.  Somewhere along the way the ambulance picked everyone up and dropped the Clarks off, because now it’s just the Fab Five in the vehicle.  Eliot patches Nate up while Sophie praises Parker on her acting performance.  Though Hardison seems to think that the pizza boxes were a crude idea, Nate insists that he couldn’t have come up with anything better.  They ride off into the sunset, set on getting the money they still managed to steal to the murdered girl’s family, getting the hell out of dodge, and getting some well-deserved rest.


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