THE SPIRIT OF THE CORN
Many cultures that maintain a direct link with the land, and rely on the production of food crops, have a rich mythology surrounding the cycle of the seasons. When we look at the traditions of the communities who still practice the old seasonal festivals, we begin to be aware that, as we have moved away from this personal link with the land, we have lost something quite precious in personal and community terms. One of the main things we have lost is stories - those myths and tales which speak gently and with wisdom to the deeper part of our being, beyond logical thinking They inspire us to create pageants, celebrations, feasts, ceremonies, and dancing, activity that fills the place of TV, with its sterile stories of 'real' life feeding us with false adrenaline and sense of companionship.
In the celebrations of the earth cycles each individual within the community could find a place for their particular gifts, whether that be cooking, dancing, making costume, or teaching words to the young people -the traditional parts would often be passed down in families. All ages, also had their part to play; the young people could spectate, have fun and learn through the stories the deeper levels of meaning within the myths, the underlying parallels with their own life-cycle, of conception, growing, maturing and death. In this simple way these major events are accepted as being as natural, and inevitable as the seasons themselves and a part of the larger Creation.
DEMETER AND KORE
European traditions were greatly influenced by the culture of the Ancient Greeks, whose earth-mother,or corn-mother goddess was called Demeter. Legend tells how Demeter's daughter Kore, the Maiden, (sometimes called Persephone) was outside playing one day, picking flowers, when Pluto, the God of the Underworld found her and carried her off to his realm to be his queen.
Her mother, Demeter, wandered desolately searching for her, disguised as an old woman. Eventually she came to Eleusis, near Athens, and lived humbly there for a year, in sorrowful brooding. During this time the crops shriveled and men and animals died. Zeus intervened and ordered Pluto to release Kore, and Demeter was united joyfully with her daughter. But in the underworld Kore had eaten of the sacred pomegranate, which bound her to return to the underworld for a third of each year. Now, like the seed corn, she spends part of each year underground, and part above the surface. Within this myth we see marking of the seasons, and the promise of life after death, spring after winter.
EGYPTIAN INUNDATION
In the creation mythology of ancient Egypt, the Goddess Isis represented the land, waiting for the fertilizating overflow of the Nile, personified by her consort, Osiris. Seth, Osiris' brother, (representing the power of drought), murdered and dismembered Osiris. Isis, sorrowing, found and re-assembled all the body parts of her beloved Osiris, except for the phallus, substituting one of gold. Osiris found new life as Lord of the D Dead, and was resurrected in the birth of his new son, Horus. Osiris was also the corn. Effigies of corn were buried in tombs, and in tomb paintings, we see corn springing from Osiris' corpse. One inscription at Philae says:
"This is the form of him whom one may not name, Osiris of the Mysteries, who springs from the returning waters."
So here is a myth that is linked to the specific patterns of drought and fertility in the land, and promises that life will follow death, as fertility follows drought.
Osiris 'beds' were also put into tombs using the cycle of germination as a symbol of resurrection. These consisted of a wooden tray, made in the form of Osiris, filled with earth and sown with corn. They were fitted with a perforated cover through which the seed could sprout.
So important was the association with the harvest, that part of the Pharoah's regalia of office was the flail,the jointed rods that were used to separate the corn at threshing.
~HerbalWitchCraft
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