MSN Home  |  My MSN  |  Hotmail
Sign in to Windows Live ID Web Search:   
go to MSNGroups 
Free Forum Hosting
 

Important Announcement Important Announcement
The MSN Groups service will close in February 2009. You can move your group to Multiply, MSN’s partner for online groups. Learn More
crying in silence #2[email protected] 
  
What's New
  
  WELCOME  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  HOLIDAY ELVES  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  Meet Your Managers  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  EMAIL ADDRESSES  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  MEMORIAL PAGE  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  ABUSE&WARNINGS  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  LETTER TO ABUSER  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  Christ First  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  HOLIDAY FAIR  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  Rules  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  Message Board Plus*  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  PRAYER ROOM  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  Group Board  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  Messages  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  
  General  
  
  Welcome Newbies  
  
  Vent  
  
  Managers Mail  
  
  Members Mail  
  
  Womens Health  
  
  Inspirational  
  
  Game Room  
  
  Permission  
  
  Group rules sign  
  
  Request  
  
  Tags To Snag  
  
  Poems By Members  
  
  Tag Pick-Up  
  
  "WWO"  
  
  Our Banners  
  
  Humor  
  
  Contest/Win Tags  
  
  Our Diary  
  
  You Can Help  
  
  Helpful Tips  
  
  Quiz  
  
  Creative Vision  
  
  Addiction & Help  
  Chat Room  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  TAGS TO SNAG  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  Birthdays  
  ♥.·:*¨¨*:·.♥.·:*:·.♥.·:*¨¨*:·.♥  
  Our Recipes  
  Banner Exchange  
  Pictures  
    
    
  Links  
  
  
  Tools  
 
Creative Vision : Chapter Eleven
Choose another message board
 
     
Reply
 Message 1 of 37 in Discussion 
From: MSN Nicknamebonescb  (Original Message)Sent: 3/10/2008 5:36 PM
Working with Layers

Layers are fundamental to creating and editing images in Paint Shop Pro. Use layers to add elements to your images, create artistic effects and illustrations, and make editing images easier. You can add or delete layers, rearrange their stacking order (the order from top to bottom), and blend their pixels in a variety of ways. Unless you merge the layers, each one remains independent; you can edit it without affecting the others.



First  Previous  23-37 of 37  Next  Last 
Reply
 Message 23 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 2:52 PM
About Blend Modes

The table describes each of the blend modes. In the table, “selected layer” refers to the layer for which you are setting the blend mode.

Note: Several of the blend modes have been enhanced, the transfer of color channels has been improved. These blend modes may not be compat­ible with other applications. Use the Legacy blend modes for com­patibility with other applications.

Blend Mode Result

Normal:

Displays pixels of underlying layers based on the opacity of pixels on the selected layer. If data is fully opaque, no pixels show through. As the opacity decreases, more pixels from underlying layers show through.

Darken:

Displays pixels in the selected layer that are darker than the underlying layers. Pixels lighter than the underlying layers disappears.

Lighten:

Displays pixels in the selected layer that are lighter than the underlying layers. Pixels darker than the underlying layers disappear.

Hue:

Applies the hue of the selected layer to the underlying layer (without changing the saturation or lightness).

Hue (Legacy):

Applies the hue of the selected layer to the underlying layers (without changing the saturation or lightness).

Saturation:

Applies the saturation of the selected layer to the underlying layers (without affecting the hue or lightness).

Saturation (Legacy):

Applies the saturation of the selected layer to the underlying layers (without affecting the hue or lightness).

Color:

Applies the hue and saturation of the selected layer to the underlying layers (without affecting the lightness).

Color (Legacy):

Applies the hue and saturation of the selected layer to the underlying layers (without affecting the lightness).

Luminance:

Applies the luminance (or lightness) of the selected layer to the underlying layers (without affecting the hue or saturation).

Luminance (Legacy):

Applies the luminance (or lightness) of the selected layer to the underlying layers (without affecting the hue or saturation).

Multiply:

Combines the colors of the selected layer with the layer with the underlying layers to produce a darker color. Multiplying any color with black produces black. Multiplying any color with white leaves the color unchanged.

Screen:

Lightens the colors of underlying layers by multiplying the inverse of the selected and underlying layers. The result is a color that is the same or a lightened version of the selected layer.

Dissolve:

Randomly replaces the colors of some pixels on the selected layer with those of the underlying layers to create a speckled effect. The selected layer's opacity determines the number of pixels replaced; the lower opacity, the more pixels that are replaced.

Overlay:

Combines the Multiply and Screen blend modes. If the color channel value of underlying layers is less than half the maximum value, the Multiply blend mode is used. If the color channel value is greater than or equal to half the value, the Screen blend mode is used. The Overlay blend mode shows patterns or colors of the selected layer while preserving the shadows and highlights of underlying layers.

Hard Light:

Combines the Multiply and Screen blend modes. If the color channel value of the selected layer is less than 128, the Multiply blend mode is used. If the color channel value is creater than or equal to 128, the Screen blend mode is used. In general, use the Hard Light blend mode to add highlights or shadows.

Soft Light:

Combines the Burn and Dodge blend modes. If the channel value of the selected layer is less than 128, the Burn blend mode is used. If the color channel value is greater than or equal to 128, the Dodge blend mode to add soft highlights or shadows.

Difference:

Subtracts the selected layer's color from the color of the underlying layers.

Dodge:

Lightens the image by having the lightness values of the colors in the selected layer lighten the colors of underlying layers. Light colors produce the most lightening; black has no effect.

Burn:

Darkens the image by having the lightness values of the selected layer reduce the lightness of underlying layers.

Exclusion:

Creates an effect similar to but softer then the Difference blend mode.


Reply
 Message 24 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 2:55 PM
Setting Blend Ranges

In addition to setting the blend mode of a layer, you can set the blend range. This range limits the pixels that the blend mode affects. By default, the blend mode applies to all pixels. Blend ranges set the opacity based on brightness or color channel to drop colors out of the selected layer and make other colors show through.

To set the blend range:

On the Layer palette, select a layer and set its blend mode.

Double-click the layer name to open the Layer Properties dialog.

Click the Blend Ranges tab.

In the Blend Channel drop-down list, select a channel to use when blending layers. Select Grey Channel to have the lightness values of layers determine opacity. Select Red Channel, Green Channel, or Blue Channel to have the respective color values determine opacity.

Set the opacity ramp for the channel as follows:

First, drag the upper arrows to indicate the values at which the opacity is 100 percent.

Next, drag the lower arrows to indicate the values at which the opacity is 0 percent.

Note that the values on the left side indicate the ramp up values, while the values on the right side indicate the ramp down values.

For example, in the graphic in the left column, the selected layer’s opacity is 100 percent between lightness values of 43 and 126, and falls off at the lightest and darkest areas.

Click OK.

Paint Shop Pro applies the blend only to the pixels that fall within the range you selected. The right panel of the Layer palette displays the Blend Range icon to indicate that a blend range is being used.


Reply
 Message 25 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 2:58 PM
Protecting Transparent Areas

To apply tools and effects only to areas of a raster layer with data, use the Lock Transparency feature on the Layer palette. Transparent areas remain protected when you paint, apply effects, paste selections, or perform other edits.

Note

This feature applies to raster layers only. You cannot lock the trans­parency of vector, adjustment, mask, or group layers, as well as the Preset Shapes and Pen tools. Also, background layers do not support transparency.

When transparency is locked, the Lock Transparency button displays . When a transparency is not locked, the Lock Transparency button is grey .

To lock or unlock the transparency:

Do one of the following:

On the Layer palette, click the Lock transparency button of the appropriate raster layer.

Double-click the layer name to display the Layer Properties dialog, mark or clear the Lock transparency check box, and click OK.


Reply
 Message 26 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:01 PM
Setting Icon Highlight Colors

To organize the Layer palette visually, specify the highlight colors for layers and layer groups. The highlight color displays as the background of the icon to the left of the layer or group name. It has no effect on the image itself.

In a layer group, layers that have not been assigned individual highlight colors inherit the color of the parent layer. As an example, use the same highlight color for all layers in layer group and use a different color to highlight other layers or layer groups.

To set the highlight color of an icon:

On the Layer palette, double-click the name of the layer to open the Layer Properties dialog.

Mark the Highlight in Layer palette check box.

Do one of the following:

To select a new color, click the color box next to the check box. Choose a color and click OK.

To choose from recently used colors, right-click the color box and click a color.

At the Layer Properties dialog, click OK. The icon now displays the highlight color.


Reply
 Message 27 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:02 PM
Modifying Layers

Modify layers to change the look of your image. Arrange the stacking order, move layers within the image canvas, merge layers, clean up edges of layers created from selections, or delete layers.


Reply
 Message 28 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:05 PM
Arranging the Stacking Order of Layers

The arrangement of layers within your image is critical to what the image looks like. If one layer is above another one, that layer’s data can cover data below it.

To change the stacking order of layers—which changes the resulting image—move layers on the Layer palette. If a layer or a layer group has components, such as vector objects or group layers, all the components move with it.

To move one layer, layer group, or vector object:

On the Layer palette, click the name of the layer, layer group, or vector object and drag it to a new position. A black line shows the position until you release the mouse button.

To arrange the stacking order, either:

Drag the layer, to the desired position. The cursor changes into a hand . If it displays a null symbol , you cannot move the selected item to a particular position. For example: The background layer cannot be moved. There can never be a layer below the background layer. A vector object cannot be moved in to a raster layer. Mask and Adjustment layers cannot be at the bottom of an image or a layer group.

Choose Layers > Arrange > and then choose either: Bring to Top, Move Up, Move Down, Send to Bottom, Move into Group, Move out of Group.

To move multiple vector objects:

On the Layer palette, click the first vector object.

Press Shift and click each additional vector object, or right-click and choose Select all.

Use the Layers > Arrange commands or drag the selected objects to a new position. A black line shows the position until you release the mouse button.


Reply
 Message 29 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:09 PM
Moving Layers within the Image Canvas

Use the Move tool to move the contents of an entire layer anywhere within the image canvas. If you move part of a layer off the canvas, Paint Shop Pro does not crop it. You can move it back to the canvas, or increase the canvas size to show the additional data.

Note

You cannot use the Move tool on the background layer. To move the contents of the background layer, promote it to a regular raster layer first.

To move a layer within the image canvas:

On the Layer palette, select the layer you want to move.

On the Tools toolbar, click the Move tool .

Click and drag in the image to move the layer to a new position.

To move a layer using the Smart Mover tool:

On the Layer palette, select the layer you want to move.

On the Tools toolbar, click the Move tool .

To limit the Mover tool to the current layer, press and hold the Shift key while you click the image and drag the layer.

Where’s the layer?

If you move a layer off the image canvas, you can no longer see it. To get the data back, press the Shift key while dragging it with the Mover tool or, increase the canvas size enough so that the layer appears. Move it to where you want, then decrease the canvas size again.


Reply
 Message 30 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:15 PM
Merging Layers

Merging layers is also called flattening an image. You can merge selected layers, or all of the layers in an image. Merging layers decreases the memory requirements for the image. Paint Shop Pro merges layers based on the blend modes, converts vector data and vector text to raster data, and replaces transparent areas of the background layer with white.

Always make a backup copy of the original .PspImage image before you merge layers. Once you merge layers, you cannot edit the layers separately. Unless you are certain you have finished editing the image, it’s best not to merge layers.

To merge two layers together:

Make sure one layer is located directly above the other on the Layer palette.

Click the name of the layer above the one you want to merge it with.

Choose Layers> Merge> Merge Down to merge the two layers. The following table describes how layer types are merged:

Top Layer

Any layer

Vector

Mask

Any Layer

Any Layer

Merged with

Raster

Vector

Mask

Background

Mask / Adjustment

Creates

Raster

Vector

Mask

Background

Not Permitted

To merge all layers:

Choose Layers> Merge> Merge All (Flatten) to merge the layers into one background layer.

To merge all visible layers:

On the Layer palette, click the Visibility toggle for each layer that you do not want to merge.

Choose Layers> Merge> Merge Visible to merge all visible layers in a layer group into a raster layer named Merged. Invisible layers are not affected. The new raster layer, which maintains the transparency information of the original layers, is placed at the position of the active layer.

Note: If the selected layer is in a group, only the visible layers in that group will be merged. If the layer group is marked invisible (making all layers within the group invisible), then none of the layers within the group will be merged.

To merge all layers in a group:

On the Layer palette, click the layer group, or a layer within the group, that you want to merge.

Choose Layers> Merge> Merge Group to merge all layers in the group into one raster layer.


Reply
 Message 31 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:20 PM
Cleaning up the Edges of Layers Created from Selections

When you promote or paste a selection to create a layer, some of the pixels surrounding the selection border are included, especially when the selection is anti-aliased or feathered. The Layers> Matting commands clean up the border by removing these pixels.

There are three Matting commands: Remove Black Matte, Remove White Matte, and Defringe. Use the Remove Black Matte or Remove White Matte command when the selection came from an image with a black or white background. These commands remove the black or white pixels at the layer edges.

Note: To clean up the edges of a selection before you promote or copy it, use the Selections > Matting command.

Use the Defringe command when the selection came from an image with a colored background. Defringing bleeds non-feathered pixels in the layer edges outward and over the “jaggies” in the feathered part of the layer.

Important: This command works on 16 million color and greyscale images only.

To use a Matting command:

On the Layer palette, click the name of the layer that was created from a selection.

Do one of the following:

To remove the black matte, choose Layers > Matting > Remove Black Matte.

To remove the white matte, choose Layers > Matting > Remove White Matte.

To remove a colored matte, choose Layers > Matting > Defringe to open the Defringe dialog. Enter the number of pixels to defringe and press Enter.


Reply
 Message 32 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:23 PM
Deleting Layers or their Contents

To remove a layer from an image, delete the entire layer. Or, delete the contents of a layer to keep the layer within the image; raster and vector layers become transparent and the background layer is filled with the current background color and material.

To delete a layer:

On the Layer palette, click the name of the layer you want to delete.

Click the Delete Layer button on the Layer palette toolbar, right-click and choose Delete from the context menu, or drag the layer to the Delete Layer button .

To delete the contents of a layer:

On the Layer palette, click the name of the layer.

Press the Delete key or choose Edit > Clear.


Reply
 Message 33 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:28 PM
Using Adjustment Layers

Adjustment layers are correction layers that adjust the color or tone of underlying layers, without modifying their pixels directly. Choose from these types of adjustment layers: Brightness/Contrast, Channel Mixer, Color Balance, Curves, Hue/Saturation/Lightness, Invert, Levels, Posterize, and Threshold.

All adjustment levels have equivalent commands on the Colors > Adjust menu. The advantage of an adjustment layer is that you do not modify the image layers themselves, so it’s easier to make quick changes to the color and tonal adjustments. Add adjustment layers to test various color corrections or to see how several corrections look when you combine them. Hide, delete, or edit adjustment layers.

An adjustment layer applies to all layers below it that are at the same level, as follows:

If the adjustment layer is at the main level (rather than in a layer group), it applies to all layers below it in the stacking order.

If an adjustment layer is in a layer group, it applies only to layers within the group that are lower in the stacking order.

To add an adjustment layer:

On the Layer palette, click the layer above which you want to create the adjustment layer.

To apply the adjustment layer to a selection, make a selection.

Choose Layers > New Adjustment Layer, and then select the type of adjustment layer.
A dialog with the name of the adjustment layer opens. The preview windows show the image before and after changes. The Adjustment tab shows the color and tonal correction settings to change.

Note: The General tab includes layer properties such as layer name, blend mode, and opacity. Change these properties here or on the Layer palette.

To reset values to default settings, in the Presets drop-down list choose Default. Or, double-click the adjustment layer to open the Properties dialog, and click the Reset to Default button .

Modify the settings on the Adjustment tab, and then click OK. The adjustment layer is added just above the previously selected layer.


Reply
The number of members that recommended this message. 0 recommendations  Message 34 of 37 in Discussion 
Sent: 3/11/2008 3:33 PM
This message has been deleted by the manager or assistant manager.

Reply
The number of members that recommended this message. 0 recommendations  Message 35 of 37 in Discussion 
Sent: 3/11/2008 3:41 PM
This message has been deleted by the manager or assistant manager.

Reply
 Message 36 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:51 PM
About Adjustment Layer Types

Making Color and Tonal Corrections describes in detail each type of adjustment layer. The table shows specific sections to refer to within that chapter.

Type of Corrections:

1. Adjust color balance

Adjustment Layer:

Adjustment Layer

Hue/Saturation/Lightness

Channel Mixer

Type of Correction:

2. Adjust brightness and contrast

Adjustment Layer:

Brightness/Contrast

Curves

Levels

3. Reduce or remove colors

Adjustment Layer:

Invert

Threshold

Posterize


Reply
 Message 37 of 37 in Discussion 
From: MSN NicknamebonescbSent: 3/11/2008 3:55 PM
Editing an Adjustment Layer

Edit an adjustment layer to change the color or tonal correction. Or, change the layer properties such as layer name and opacity.

To edit an adjustment layer:

On the Layer palette, double-click the name of the adjustment layer that you want to edit. Or, choose Layers> Properties.
The Layer Properties dialog opens.

On the Adjustment tab, modify the color or tonal correction settings.

Click the General tab to modify the general layer properties such as layer name, blend mode, and opacity. Change these properties here or on the Layer palette.

Click OK.

Note: To delete an adjustment layer, click the layer name and then click the Delete Layer button on the Layer palette toolbar. To undo a deletion, click the Undo button or press Ctrl+Z.


First  Previous  23-37 of 37  Next  Last 
Return to Creative Vision