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Experiment posts : Pele` ~ Hawaiian Mother Goddess
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 Message 1 of 2 in Discussion 
From: MSN NicknameLadyMajykWhisperingOwl  (Original Message)Sent: 6/19/2006 10:40 PM
 
Pele�?/U>
by Patricia Monagha
Even today, visitors to Hawaiian volcanoes report seeing a wizened old woman who asks for a cigarette, lights it with a snap of her fingers, then disappears. Others say that a red-robed woman dances on the rims of the fiery mountains, although it is not certain whether this figure is an incarnation of the goddess or only one of her worshipers.

Of all the world's goddesses, Pele is one of the few still living in the belief of her people, not as metaphor but as metaphysical reality, to whom offerings are still made when volcanic eruptions threaten Hawaiian towns.

A bright daughter of the earth goddess Haumea, Pele spent her girlhood watching fires and learning how to make them, thus revealing her temperament early. This did not please the sea goddess Namaka,who prophesied an unpleasant future for the fire-loving girl, but she, who lived in the ocean, may have been biased. But Namaka had a point: Pele did cause a conflagration in her mother's homeland once, toying with underworld fires.

The mother, knowing that Namaka would persecute Pele on her return, suggested that it was time for Pele to find a home of her own. So she set off in a canoe with several siblings including her sister Hiiaka ("cloudy one"). They were malihini, goddesses who migrated to Hawaii after human settlement there began. Hawaii was only an atoll when they arrived, so Pele used a divining rod to locate likely places to build islands, then caused them to be born in tempestuous eruptions from undersea volcanoes.

Namaka trailed her sister, furious at the destruction Pele had wrought in their original homeland. Ocean and fire met in a terrific brawl, and Pele got the worst of it, rising like a steamy spirit from the fray.

 

No longer embodied, she disappeared into the Hawaiian volcanoes, especially in the fiery part of the crater of Kilauea called Halemaumau, said today to be one of her favorite haunts.

There she was honored by the Hawaiian people as the essence of earthly fire. Into her craters, offerings were cast: cut hair, sugar cane and flowers (especialy hibiscus), white birds, money and strawberries. Some say that human beings were also tossed into the lava; others deny this, claiming there is no evidence for such rites.


There is one famous legend, however, that suggests that some were, if not sacrificed literally, at least consecrated to the goddess. This is the tale of the young Hawaiian man named Lohiau. Pele, it was said, sometimes dozed in her crater, sending her spirit wandering through the islands. One night, hearing the sweet melodies of flutes, she followed the sound until she came upon a group of sacred hula dancers.

Among them was Lohiau. Instantly attracted to him, Pele embodied herself in beautiful human flesh and seduced him. They spent three days making love before she decided that it was time to return to her mountain. Promising to send for him, Pele disappeared, awakening far away on Kilauea.

Not one to break a promise--and immediately desiring the young man again--Pele endowed her sister Hiiaka with magic and sent her off to fetch Lohiau. Hiiaka was a kindly goddess, given to singing with the poet goddess Hopoe and to picking blossoms from the tropical trees. But out of dedication to her sister, Hiiaka set off, first making Pele promise to tend her gardens.

Passing through many trials, often relying on her magic to defeat threatening monsters, Hiiaka reached Lohiau's home just as he died, pining away for his lover Pele. But Hiiaka caught his soul and pushed it back into his body, reviving him. Then they set off for Kilauea.

Although touched by the man's beauty, Hiiaka fully intended to furfill her task and bring Lohiau untouched to her sister. But Pele was a jealous spirit, and she soon began to burn, imagining Hiiaka in Lohiau's arms. The crater began to spit out lava fretfully. Pele was growing angry.

Hiiaka understood the messages from the distant crater and hastened along. Even though challenged for possession of the man by a sorceress (probably Pele in disguise) and even though Lohinu told Hiiaka he loved her more than Pele, the goddess would not betray her sister's trust. All the way to the crater she conveyed the prize, only to find that Pele had not kept her part of the promise, that the volcano goddess had in jealous fury killed the poet Hopoe and scorched Hiiaka's lovely gardens.

Right then and there, on the rim of the crater, Hiiaka made love to Lohiau. Pele, erupting in fury, burned the man to death but could not destroy her immortal sister. Hiiaka, not about to lose to her angry sister, descended to the underworld to free Lohiou's soul. When she arrived at the deepest circle of the underworld, the point at which the rivers of chaos were held back by a gate, it occurred to her that flooding the entire world would thoroughly extinguish Pele and her wrath.

Her conscience kept her from such folly, however. Hiiaka, after freeing Lohiau's soul, determined to return to the surface and demand her lover from Pele. The lustful, angry goddess would not have been willing, except that Lohiau's comrade Paoa arrived in timely fashion to satisfy the goddess's heat. Hiiaka was reunited with Lohiau, and they retired to his country. Pele, meanwhile, found herself a lover of sturdier stuff in the combative hog god Kamapua'a, inventor of agriculture, whose idea of courting a goddess included all but dousing her flames with heavy rain and stampeding pigs across her craters. To this day, their turbulent affair continues on the islands called Hawaii.

 
<NOBR>Text from Patricia Monaghan</NOBR>'s The New Book of Goddesses and Heroines
Published by Llewellyn, copyright 1997.   Used by permission of the author.



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 Message 2 of 2 in Discussion 
From: MSN NicknameLadyMajykWhisperingOwlSent: 6/20/2006 12:09 AM
 
LUGH—The Celtic Sun God  
 
The god Lugh was worshipped in Ireland as a deity of the sun and hence he is associated with Litha, when the Sun is at its Zenith in the Northern Latitudes. This connection with the sun may explain his name (it means "shining one"), and it also may account for the attributes that he displayed: he was handsome, perpetually youthful, and had a tremendous energy and vitality. This energy manifests itself especially in the number of skills he had, according to legend, mastered. In fact, there was a tale that related Lugh's myriad abilities at arts and crafts.
Lugh’s Birth
Lugh's father was    "Cian"  Cian  of the "Tuatha Dé Danann"  Tuatha Dé Danann  and his mother was Ethniu, daughter of    "Balor"  Balor , of the  "Fomorians" .
 
Their union is presented as a dynastic marriage between the two peoples in the  "Lebor Gabála Érenn"  Book of Invasions , but later "Folklore"  folklore  tells a more elaborate story, reminiscent of the birth of  "Perseus"  Perseus  from "Greek mythology"  Greek mythology . According to a prophecy, "Balor",  Balor  was to be killed by his grandson, so he locked his daughter Ethniu in a tower of crystal, usually located on Tory Island, to keep her from becoming pregnant. However Cian, with the help of the druidess    Birog , managed to enter the tower and seduce her. She gave birth to triplets, but Balor threw them into the ocean. Two of the babies either drowned or turned into seals, but Birog saved one, Lugh, and gave him to Manannan mac Lir , who became his foster father. He was nursed by Tailtiu .
There is further triplism associated with his birth. His father, Cian, is usually mentioned together with his brothers Cú ("hound") and Cethen, who nonetheless have no stories of their own, and two characters called Lugaid , a popular  medieval  Irish name thought to derive from Lugh, have three fathers:  Lugaid Riab nDerg  was the son of the three Findemna  or fair triplets, and  Lugaid mac Con Roí  was also known as mac Trí Con, "son of three hounds". Notably, in Ireland's other great "sequestered maiden" story, the tragedy of  Deirdre , the king's intended is carried off by three brothers, who are hunters with hounds. The canine imagery continues with another Lugaid,  Lugaid mac Con , and of course Lugh's son Cúchulainn  ("Culann's Hound"). In some stories Cian was able to transform into a dog. Perhaps in a lost version of the myth, Ethniu was impregnated by three brothers with canine associations.
 As told in the Battle of Magh Tuiredh, Lugh traveled to Tara, and arrived during a tremendous feast for the royal court. Lugh was greeted at the door by the keeper of the gate, and was immediately asked what talent he had - for it was a tradition there that only those who had a special or unique ability could enter the palace. The god offered his reply: "I am a wright". In response, the gate keeper said: "We already have a wright. Your services are not needed here". Still, Lugh, not to be so easily dismissed, continued: "I am a smith". Again, the guard retorted that the court had a smith that was quite adequate; but the god was not to be dissuaded. In short order, he noted that he was also a champion, a harper, a hero, a poet, an historian, a sorcerer, and a craftsman. To this list, the gate keeper merely nodded his head, and stated in a matter of fact way, that all of these various trades were represented in the court by other members of the Tuatha de Danaan. "Ah, but you do have an individual who possesses all of these skills simultaneously?" was Lugh's clever and inspired reply. The guard was forced to admit his defeat, and so Lugh was allowed to enter and join the festivities.
 
According to Celtic mythology, Lugh was the son of Cian and Ethlinn. After the god Nuada (the first leader of the Tuatha De Danaan) was killed in the Second Battle of Magh Tuiredh, Lugh became the leader of the Tuatha De Danaan (the term for the gods and goddesses who descended from the goddess Danu).
Lugh's mastery of all arts has lead many to link him with the un-named Gaulish god and Julius Caesar identifies him with the Roman God, Mercury , whom he describes as the "inventor of all the arts".  Caesar describes the Gaulish Mercury as the most reverenced deity in Gaul, and as overseeing journeys and business transactions. Juliette Wood interprets Lugh's name as deriving from the Celtic root *lugios, "oath", and the Irish word lugh connotes ideas of "blasphemy, cussing, lies, bond, joint, binding oath",which strengthens the identification with Mercury, who was, among other attributes, a god of contracts.
 
Lugh’s weapons
 
Lugh’s sling rod was the rainbow and the Milky Way was called "Lugh's Chain". He also had a magic spear, which, unlike the rod-sling, he had no need to wield, himself; for it was alive, and thirsted so for blood that only by steeping its head in a sleeping-draught of pounded poppy leaves could it be kept at rest. When battle was near, it was drawn out; then it roared and struggled against its thongs; fire flashed from it; and, once slipped from the leash, it tore through and through the ranks of the enemy, never tired of slaying.
 
Lugh’s Hound
 
Another of his possessions was a magic hound which an ancient poem, 1 attributed to the Fenian hero, Caoilte, calls-- "That hound of mightiest deeds, Which was irresistible in hardness of combat, Was better than wealth ever known, A ball of fire every night. "Other virtues had that beautiful hound (Better this property than any other property), Mead or wine would grow of it, Should it bathe in spring water."

Bibliography:

Ellis, Peter Berresford. "Celtic Myths and Legends" Carroll and Graf, 1999. ISBN 0-7867-1107-8