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(The mamacona, or Virgin of the Sun, were female disciples of the ancient arts who served the Cosmic Mother who lived approximately 500 years ago at Machu Picchu. In ‘Return of the Children of Light�?the author shows us some of the daily life of the mamacona through the eyes of a young training priestess named Wayu.) Seedings of Divine Consciousness (An excerpt from ‘Return of the Children of Light�?by Judith Bluestone Polich) The world of the mamacona was immersed in myth and thus animated in a way long lost to contemporary consciousness. They lived within a complex, multilevel cosmology in which everything was alive and a source of information. The mamacona lived according to the ancient knowledge that everything in the world was conscious, a belief they expressed in every thought and action. They lived beyond what had become known as the veil of separation, modern humanity’s illusion that the mundane physical world is the only reality. The mamacona’s creation myths and legends stretched back to the beginnings of time �?revealing, from one generation to the next, direct interaction between men and deities. To the mamacona Wiraccocha was still an active, engendering force. Thus their legends were not merely stories but vivid evidence of the light of divinity making itself known through form. As children of light, they understood that they were part of divine expression, the sacred seed engendered by the creator. Wiraccocha’s Legacy �?Children of Light The mamacona also understood how tremendously important it was that their people were god-seeds. They knew that the seeds of the divine had been planted deep within the hearts of the children of light and that their people were the last of a seeded race. In Wayu’s time, although many traditions had been lost, the potency of the lineage remained. When at each sunrise the Old One called forth the name of Wiraccocha, she invoked within herself the codes of light that connected the higher world with the world of form.<o:p></o:p> According to Andean mythology, the creator god Wiraccocha had come in human form from the higher worlds. Although each regional tradition has it’s own version of the creation story, all are remarkably similar. It is said that long ago when the world was without light, Wiraccocha came to a place above the dark waters of Lake Titicaca. There, high in the Andes near the Peruvian �?Bolivian border, this god-man called forth the sun, moon, and stars and placed them above Lake Titicaca. He then created the tribes of the Andes, each with it’s own place of emergence, language, and customs. Every tribe was given a holy statue that held divine power and could evoke the seed of the lineage that directly connected the divine and the human. In Quechua, the language spoken by the Inca and still in use in the high Andes, this statue was called a waka. Wiraccocha then spoke gently to his people, the seeds telling them to do good, to be loving and charitable to all, and to bring no injury to another. He then taught them how to live harmoniously and to bring forth prosperity, showing them how to terrace, engineer systems of irrigation, and grow sacred crops. The myths, as told by Incan record keepers (the quipucamayocs), relate that in about 200 B.C., light entered the world in the form of a god-man Wiraccocha. The civilization known as Tiahuanaco that developed in the high Andes reached it’s zenith as a sacred center about A.D. 600. Historical records show evidence of a sudden catalyst of enormous power affecting Andean life in about 200 B.C., resulting in a rapid development of “vertical archipelagoes�?and a complex agricultural order which unified the people of the high-altitude valleys and mountains into a single, interdependent, prosperous community. Today not much is known about this great culture because there is no written record. Only ruins remain, which were repeatedly pillaged by early treasure seekers long before the arrival of archaeologists. However, based upon the remains of artwork and materials recovered from burial sights, archaeologists believe that this civilization extended from the Peruvian coast to the Bolivian highlands, had a highly evolved religious base, and was peaceful, apparently expanding it’s base through the sharing of knowledge. It is believed that many of the Incan customs and myths were derived from the “golden age�?of the Tiahuanaco. Located about 12 miles from Lake Titicaca, just over the Peruvian border in Bolivia, are the ruins of perhaps the most spectacular archaeological monument in all of South America. This structure, which is believed to have been built by the Tiahuanaco, is known as the Gateway to the Sun. It is a large gateway above which is carved the image of the androgynous god-man Wiraccocha. Solar rays emanate from his head and golden tears of light appear to fall from his eyes. In Wayu’s time, long after Wiraccocha had left this world, his ways were still held sacred by those who worked the earth and by the priestesses dedicated to maintaining tradition. Each year the faithful gathered for the Festival of the Return of the Pleiades. On the dawn of each solstice and each equinox, they came to receive the special blessing of the Father sun. Each year on December 22, their summer solstice, the Inca also celebrated an important festival dedicated to the young men who had reached manhood, the Festival of Capac Rayni, or the Festival of the Kings. On this day, young men were formally accepted into the community, and, as was the royal Inca custom, their ears were pierced with large gold earrings. The Capac Rayni was a time to bless and give thanks for the crops that provided daily nourishment, as well as for the seeds of the royal lineage, the divine god-seeds. The festival was an expression of the Incan multilevel cosmology. For as the ceremony was conducted in Cuzco, further up the sacred valley near the town of Ollantaytambo, the morning solstice sun lit the top of the head, the crown chakra, of the massive Wiraccocha carved into the mountain �?symbolically awakening divine consciousness. Shortly thereafter, the light lit up the granary, the part of the temple which held the seeds reserved for planting. The Inca conducted most of their rituals at dawn because they believed that the first light was the most potent, bringing with it a great blessing and knowledge from divine sources. Their rituals had a dual purpose: to enhance the spiritual well-being of the people and strengthen seeds, grains and flocks. The equinoxes, solstices, and the return of the Pleiades were observed and celebrated with absolute precision by the Inca and other indigenous peoples around the world. They built massive and complex calendars which recorded the exact progression of the sun and accurately marked the precise moment of the spring and winter solstices. The date of the return of the Pleiades, the solstices, and the equinoxes, as well as other holy days, were critically important and spiritually significant to indigenous peoples who believed that at or before dawn on these holy days a special blessing was available. Although many contemporary researchers of Andean culture believe these dates were important because they indicated when the people should plant their crops, it is also known that these dates had a greater spiritual significance. The importance of light as a spiritual force is emphasized in the Inca creation story, wherein Wiraccocha gives his second creation the added advantage of light. He directed the sun, stars, and moon to come forth from Lake Titicaca and placed them in the sky so they might give light tohis children. This light was not ordinary light but the light of divine consciousness that manifested in form. For the Inca, physical light had engendering qualities, awakening the light codes in the human form. The Incan creation story underscores the notion of divine engendering by light, by relating that when the children of the sun emerged from the sacred doorways between the worlds and stepped into the dawn on the solstice morning, they were showered with fertile, golden light. Only then did they become Inca, which means “illuminated ones�? |
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Seedings of Divine Consciousness Cont.... Role of the Pleiadian Star Cluster (From Return of the Children of Light by Judith Bluestone Polich) The Pleiadian star cluster plays a key role in the Incan and Mayan mythology. An intriguing fact about this star cluster has to do with Mayan knowledge about the number of stars in the cluster. The Pleiades, also known as the Seven Sisters, was supposedly so named because only seven of it's stars are visible to the naked eye, although it actually contains some four hundred stars. Interestingly, among the Maya, one of the names of the Pleiades was "the four hundred boys". Since most of these stars cannot be seen it is not known how the Maya could have known the approximate number of stars. The Pleiades was particularly important to the Inca in determining the seasons. At certain times during the year, specific stars or constellations are not visible from the earth because thay appear to close to the sun, but they reapperar once they "clear" the sun's brilliance. The date of the reappearance of a star is known as it's heliacal rise. On the day of the return of the Pleiades, which was calculated precisely by the Inca, the star cluster was again visible just before sunrise after a period of invisibility. This was the date of the Festival of the Return of the Pleiades, which was an important tool for calendric measurement, used by the Inca to note the exact time of the solstice. In the time of the Inca, the heliacal rise of the Pleiades was always 30 days before the solstice, allowing the Inca to plan for the time of the solstice, which could not be calculated by watching the sun. So important was the Pleiades to the Incan worldview that the star cluster provided a basis for the Incan calendar. In the ancient city of Cuzco, some forty-two invisible lines known as sequas, or rays, surrounded the great Temple of the Sun, extending all the way to the horizon. Each seque passed through or near a shrine, or small statue known as a waka. According to the creation myth, the wakas held the power of the lineage and connected the people directly to their origin, the stars.There were between seven and nine wakas per seque, for a total of 328. According to Spanish chronicles, each waka represented one day of the year. However there were only 328 wakas, not 365. Tom Zuidema and Gary Urton, ethnoastronomers who have studied the Inca, point out that the difference can be accounted for by noting that the Pleiades is invisible in the latitude above Cuzco during the missing 37 days. Ancient astronomers of Wayu's time called the Pleiades the "great Granary". In Quechua, the Pleiades is referred to as collca, which means granary, while the Quechua term used in northern Bolivia for the Pleiades is coto, which means handful of seeds. This is also how the Maya saw the Pleiades. In veiled language, the esoteric teachings tell us that the divine aspect of the human form came from the stars and that the cluster of the Pleiades provided the blueprints for human consciousness. These blueprints may bethought of as actual codes of light that have been implanted within the human form. These light codes can be seen as divine thought forms that provide the catalysts that awaken in mankind the light that brings higher consciousness. A helpful analogy for this human process is the seed of any common plant. For example, the seed of any flower has within it a hidden code containing the plant's DNA that becomes activated under certain conditions: time of year, amount of sunlight and moisture. The code causes the seed to sprout, grow, flower, bear fruit, produce seed, and then repeat the same cycle. Similarly, the light codes within the human form may be viewed as spiritual DNA, as the inner forces that trigger the process of enlightenment. The ultimate maturation of the god-seed in each human being is divinity, an example of which is Christ consciousness. Esoteric texts trace the seed of illumination to the great Granary, the Pleiades. In antiquity, in cultures around the world, the Pleiades was called the "seedbed", the "cradle", and "the throne of codes". Esotericists such as J.J. Hurtak believe that the divine imprint, the prephysical garment of light that enabled human physical form to hold divine consciousness, is associated with the Pleiades. The prephysical garment of light is similar to the idea of divine intent. It was through divine intent that divine consciousness could enter the womb of matter, the physical parameters of our reality. This is the reality we perceive with the five senses - one that exists within linear time, is measuable, and energetically very dense. Since matter is not readily penetrated by light, the sacred energy that came from the Pleiades provided the necessary interface for more refined energies in the form of light to be held in the three-dimensional world, the physical plane. Thus it helped to join the refined energies of light and consciousness with the denser energies of matter. In the creation stories of people all over the world, there are many references to intervention by divine sources from outside our solar system. In addition to alludint to the Pleiades in such contexts, some esoteric texts also refer to the significance of the constellation Orion. According to Hurak, Orion provided the pure light bodies upon which the sacred light codes from the Pleiades were programmed. Orion is also said to be the source of all "gnosis" - the spiritual power of divine force itself. |
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Seedings of Divine Consiousness Cont..... Human Seeds of Light (From Return of the Children of Light by Judith Bluestone Polich) According to some esoteric accounts, such as Hurak's and Sumerian and Babylonian creation myths from which later Hebraic creation myths may have dirived, a purpose of the spiritual human, the seed, was to create a new species capable of carrying the light of higher Consciousness. This species is known as the Adamic Race, or the Adam Kadmon. Gnostic and other texts emphasize that the Adam Kadmon is a continually evolving species of light made in "the image and similitude" of the Elohim (angels). Hopi and Mayan myths also refer to the concept of a continually evolving creation. Many of these traditions tell of androgynous god-like beings known in early Hebraic accounts as Elohim. Within the hierarchy of the spiritual world, the Elohim are considered mighty angels who embody high intelligence and creative powers, and who sit at the right hand of God himself. Some sources say the Elohim are connected with the constellation Orion. The Sumerian and Babylonian tablets, which stem from one of the oldest civilizations on this planet, describe strangers called "serpents", who were "shining radiant ones" with large brilliant eyes and luminous faces. It was these beings who allegedly brought to the Sumarian and Babylonians cultures the seeds of civilization. Later Hebraic texts, said to be written by a scribe named Enoch, describe beings known as the "Shining Ones" who arrived in what is now Lebanon some 10,000 years ago. The writings attributed to Enoch are no longer found in the Old Testament and are considered among the apocrypha, or "hidden" texts, along with the "heretical" Gnostic texts. Accounts of these supernatural beings eventually made their way into Hebrew angel lore, where the beings came to be called Seraphim, the highest order of angels and "fiery flying serpents of lightening". It is interesting to note, as pointed out by modern angelologist Malcom Godwin, that the root word El (contained in Elohim), is an ancient term with common origins in many laguages. For example, in Sumerian El means "brightness or shining"; in Babylonian Ellu means "the shining one"; in English elf means "shining being"; and in Anglo-Saxon aelf means "radiant being". The concept of luminous creator beings is also found in the Tibetan Book Of Dzyan, which describes luminous ones who produced "form from no form", "shone like the sun", and were "blazing divine dragons of serpent wisdom". In addition, aswe will see, there are accounts of intervention by luminous god-men who were also called serpents throughout Mesoamerica and Peru. The Elohim, who at various times have been known as "god-men", "space beings", the "older brothers", and "world teachers, have a long history of intercession with planet Earth. To them, Earth is a sacred garden in which many plantings have been made. They are the grand gardeners responsible for numerous propagations of the seed, and they have made many attempts to upgrade the intelligence and spiritual consciousness of the human form. We may both metaphorically and literally be the seed of the Elohim. Those of us shaped by the Judeo-Christian worldview have been taught that "man is made into the image and similitude of God". While this is surely true, it is important to remember that the work of creation is not yet complete. The work of the Elohim in seeding the consciousness of the spiritual race of man is an ongoing process. Careful reading of the above-cited biblical passage actually supports the idea of a continuously evolving consciousness. The word 'into' suggests that evolution is ongoing, while the word 'similitude' tells us that we were made like the creator (in this context the Elohim), implying that in the physical dimension matter has the ability to hold light. This is a profound realization that means we all have the potential to hold and radiate light. |
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